The Artist

Listen in pop-out player

Melvyn Bragg and guests discuss the history of the artist. The sculptors who created the statues of ancient Greece were treated with disdain by their contemporaries, who saw the menial task of chipping images out of stone as a low form drudgery. Writing in the 1st century AD the Roman writer Seneca looked at their work and said: "One venerates the divine images, one may pray and sacrifice to them, yet one despises the sculptors who made them". Since antiquity artists have attempted to throw off the slur of manual labour and present themselves as gifted intellectuals on a higher level than mere artisans or craftsmen. By the Romantic period Wordsworth claimed that poets were 'endowed with a greater knowledge of human nature and a more comprehensive soul than are supposed to be common in mankind'. How did the artist become a special kind of human being? What role did aristocratic patronage of the arts play in changing the status of the artist? And how have we constructed the image of the artist? With Emma Barker, Lecturer in Art History, The Open University; Thomas Healy, Professor of Renaissance Studies at Birkbeck University of London; Tim Blanning, Professor of Modern European History at the University of Cambridge.

Available now

45 minutes

Last on

Thu 28 Mar 2002 21:30

Featured in...

Download this programme

Download this episode

Subscribe to this programme or download individual episodes.

In Our Time Archive: A new way to find the programmes you want to hear

Free Will

We've created a new way to search through the programmes and would like your help.

In Our Time Downloads


Every episode of In Our Time - available to download to listen to when & where you want.

Watch animations from A History of Ideas

The Libet Experiment

Explore some big questions about how we live today.