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In the last of three programmes in which composer Neil Brand celebrates the art of cinema music, Neil explores how changing technology has taken soundtracks in bold new directions and even altered our very idea of how a film should sound.

Neil tells the story of how the 1956 science fiction film Forbidden Planet ended up with a groundbreaking electronic score that blurred the line between music and sound effects, and explains why Alfred Hitchcock's The Birds has one of the most effective soundtracks of any of his films - despite having no music. He shows how electronic music crossed over from pop into cinema with Midnight Express and Chariots of Fire, while films like Apocalypse Now pioneered the concept of sound design - that sound effects could be used for storytelling and emotional impact.

Neil tracks down some of the key composers behind these innovations to talk about their work, such as Vangelis (Chariots of Fire, Blade Runner), Carter Burwell (Twilight, No Country for Old Men) and Clint Mansell (Requiem for a Dream, Moon).

Release date:

1 hour

Last on

Wed 5 Jul 2017 20:00

Neil Brand talks film

Neil Brand talks film

A selection of interviews with film composer Neil Brand.

Credits

Role Contributor
Series ProducerJohn Das
DirectorJohn Das
PresenterNeil Brand
Executive ProducerMichael Poole
Interviewed GuestVangelis
Interviewed GuestCarter Burwell
Interviewed GuestClint Mansell

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