Cowes Regatta, Royalty and Posterity
In this episode, Essex and his A selection of readings from the personal memoirs of Clifford Essex, which have remained unpublished since they first appeared in magazine format in the 1920s. In this episode, Essex and his pierrot troupe are invited aboard the Royal Yacht at Cowes to entertain His Majesty King Edward VII.
The seaside pierrot troupe is an uniquely British art form, which began in 1891. That year, a gifted banjo player and producer of entertainments for society events, called Clifford Essex, watched a performance of L'Enfant Prodigue at The Prince of Wales Theatre. It was a largely mimed performance featuring a family of pierrots and it gave Essex the idea of costuming a concert party in white satin, pompoms and ruffles, to perform banjo pieces at The Henley Regatta and, later that year, at Cowes.
The project was a resounding success and led to his troupe performing throughout the country for almost three decades. During this time, the idea was copied and developed in such a way that, by the 1920s, there were more than 500 pierrot troupes performing along the coasts of Britain. These troupes were the stand-up comedy club and indie pop charts of their day - it was here that artists honed their craft by learning old routines and developing new ideas. They paved the way for the styles of music and humour that subsequently found a mass audience on radio and television.
The reader, Tony Lidington is known by many people as 'Uncle Tacko', leader and founder of The Pierrotters, the last-remaining professional, seaside pierrot troupe in Britain, now in its 27th year of performing.
Abridged and read by Tony Lidington
Producer: David Blount
A Pier production for BBC Radio 4.
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