Episode 6

Image for Episode 6Not currently available on BBC iPlayer

The Hour, Series 2 Episode 6 of 6

Duration: 59 minutes

Bel, Freddie and Hector verge on breaking the biggest corruption expose ever - a house of cards stretching across London's most influential men - but things get complicated when one of them becomes the centre of a tabloid sex scandal. As they battle against high-level cover-up, Freddie's quest for a controversial contributor takes him right into the lion's den.

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Music Played

2 items
  • Music Credits

    Saxes - Phil Todd, Jamie Talbot, Sam Walker, Martin Robertson, Alan Barnes

    Trumpet - John Barclay, Patrick White, Derek Watkins

    Guitar - Arthur Dick

    Bass - Steve McManus

    Drums - Matt Skelton, Ralph Salmins

    Marimba - Sam Walton, Rob Farrer  

    Alto sax - Martin Robertson

    Acoustic bass - Chris Lawrence

    Vocal - Helen Hamilton

    Sound recordist - John Mooney

    Recorded and mixed by Steve Parr

    Sound maintenance engineer - Stuart McCutcheon
    Sound assistant - Lee Sharp
    Choreographer - Samantha Murray
    Music supervisor - Catherine Grieves
    Composer -  Kevin Sargent

Credits

Freddie Lyon
Ben Whishaw
Bel Rowley
Romola Garai
Hector Madden
Dominic West
Lix Storm
Anna Chancellor
Angus McCain
Julian Rhind-Tutt
Randall Brown
Peter Capaldi
Laurie Stern
Peter Sullivan
Bill Kendall
Tom Burke
Marnie Madden
Oona Chaplin
Isaac Wengrow
Joshua McGuire
Sissy Cooper
Lisa Greenwood
Raphael Cilenti
Vincent Riotta
Kiki Delaine
Hannah Tointon
Norman Pike
Morgan Watkins
Trevor
Joe Cole
Police Commissioner
Lloyd McGuire
Alistair
John Hollingworth
Defence Minister Satchell
Laurence Kennedy
Henrietta Williams
Helen Schlesinger
ITV Executive
Steven Elder
Ron
Paul Chahidi
Hack 1
Jason Cheater
Veronica
Naomi Sheldon
Commissioner's Secretary
Amanda Prior
Uncovered Presenter
Paul Bigley
Director
Jamie Payne
Producer
Ruth Kenley-Letts
Writer
Abi Morgan

Broadcasts

TV Blog: I wrote the musical score for The Hour

Bel - The Hour

"A big theme is an inability to confront emotional truths, and the score reflects this."

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