Episode 5

Image for Episode 5Not currently available on BBC iPlayer

The Hour, Series 2 Episode 5 of 6

Duration: 59 minutes

Bel is shaken by news of a source's murder and tries to put a stop to the team's pursuit of organised criminal Cilenti. However, the story is more tempting than ever when Freddie and Hector discover the depths that the corruption has reached, leading to chaos at the club. Is Bel right? Is Freddie charging towards a loaded gun?

Music Played

5 items
  • Music Credits

    Saxes - Phil Todd, Jamie Talbot, Sam Walker, Martin Robertson, Alan Barnes

    Trumpet - John Barclay, Patrick White, Derek Watkins

    Guitar - Arthur Dick

    Bass - Steve McManus

    Drums - Matt Skelton, Ralph Salmins

    Marimba - Sam Walton, Rob Farrer   

    Alto sax - Martin Robertson

    Acoustic bass - Chris Lawrence

    Vocal - Helen Hamilton

    Sound recordist - John Mooney

    Recorded and mixed by Steve Parr

    Sound maintenance engineer - Stuart McCutcheon
    Sound assistant - Lee Sharp 
    Choreographer - Samantha Murray
    Music supervisor - Catherine Grieves
    Composer -  Kevin Sargent 

Credits

Freddie Lyon
Ben Whishaw
Bel Rowley
Romola Garai
Hector Madden
Dominic West
Lix Storm
Anna Chancellor
Angus McCain
Julian Rhind-Tutt
Randall Brown
Peter Capaldi
Raphael Cilenti
Vincent Riotta
Bill Kendall
Tom Burke
Marnie Madden
Oona Chaplin
Isaac Wengrow
Joshua McGuire
Sissy Cooper
Lisa Greenwood
Laurie Stern
Peter Sullivan
Kiki Delaine
Hannah Tointon
Norman Pike
Morgan Watkins
Sey Ola
Adetomiwa Edun
Peter Tufnell
Peter Temple
Henrietta Williams
Helen Schlesinger
Alistair
John Hollingworth
Defence Minister Satchell
Laurence Kennedy
ITV Executive
Roger May
Dorothy Edwards
Patricia England
French Registrar
Charlotte Winer
El Paradis Dancer
Stephanie Elstob
El Paradis Dancer
Kirsty Mather
El Paradis Dancer
Betsy Rose
Director
Jamie Payne
Producer
Ruth Kenley-Letts
Writer
Abi Morgan

Broadcasts

TV Blog: I wrote the musical score for The Hour

Bel - The Hour

"A big theme is an inability to confront emotional truths, and the score reflects this."

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