From London to Marrakech

Shakespeare's Restless World Episode 13 of 20

Neil MacGregor, former Director of the British Museum, continues his object-based history. Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.

With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed. He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.

Programme 13. FROM LONDON TO MARRAKECH - Sunken gold from West Africa sheds light on the complex relationship Elizabethan England had with the Moors of the Mediterranean.

This programme was originally broadcast in 2012.

Producer: Paul Kobrak.

Release date:

Available now

15 minutes

Last on

Wed 27 Jul 2016 13:45

African Treasure

Date: 1600

Size: W:28.5mm

Made in: Marrakech

Made by: the Sherifs of Morocco

Material: Gold  

 

Our encounter with African treasure begins not in lands far away but in seas only twelve miles off the coast of Devon. It was here in 1994 that a hoard of Moroccan gold was discovered.

 

This astonishing array of golden riches tells of vast Moroccan wealth. The 450 coins speak of powerful dynasties and of far-reaching trade networks spanning the globe.

 

But behind the glistening gold lies a more disturbing tale of xenophobia meted out by the people of London to the Moors in London, leading to the eventual expelling of Moors from Elizabethan England.

 

Shakespeare didn’t shy away from the subject of inter-racial marriage and around 1604 he takes us back to Venice to explore the treatment of his most famous Moor, Othello.

 

This object is from the British Museum

 

Watch a video of the African Treasure

Quotations

'Mislike me not for my complexion, The shadowed livery of the burnished sun, To whom I am a neighbour and near bred.'  

The Merchant of Venice, Act 2 Scene 1

 

'I spake of most disastrous chances ... Of being taken by the insolent foe, And sold to slavery.'  

 Othello, Act 1 Scene 3

Background

  • The treasure was discovered in 1994 by a team of amateur marine archaeologists and semi-professional divers on the seabed 12 miles off the Devon coast
  • They found about 400 gold objects (coins, ingots and jewellery) along with other items such as lead weights and pewter tableware - but no ship wreck
  • The ship was almost certainly travelling from Morocco to Europe when it sank
  • Moor' was quite a loose term to an Elizabethan: depending on the context it could mean Muslim, white North African, Indian, Native American or Jew

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