Watch a short video of the mirror.
Dr Dee's Magical Mirror
Size: H:224mm, W:186mm
Made in: Mexico
Made by: Unknown
An Aztec mirror from Mexico isn’t necessarily the first thing that springs to mind when thinking about Shakespeare’s world. But this obsidian disc reveals something about 16th-century England and the level to which beliefs in ghosts and spirits still persisted.
This mirror is said to have belonged to one of the world’s most famous practitioners of the occult arts, Dr John Dee, whose advice was sought by the rich and powerful including Elizabeth I herself.
He was a kind of celebrity in his own time, a highly educated intellectual who explored the worlds not only of science and mathematics, but the workings of the occult and spirits too. Magic also had a starring role in many of Shakespeare’s plays – although making those spirits appear in front of the audience presented another set of challenges.
This object is from the British Museum
'Spirits, which by mine art/I have from their confines called to enact/My present fancies.'
The Tempest, Act 4 Scene 1
- Obsidian mirrors were used by Aztec royalty as symbols of their power, derived from the god Tezcatlipoca, 'Lord of the Smoking Mirror'
- John Dee was England's first magus and a leading mathematician of the age, a reviver of ancient knowledge and enthusiastic supporter of the Copernican world
- Although known as Dr Dee, his only claim to this title was the award of a doctorate of medicine from the University of Prague in 1584/5
- He received no favour from James I, whose opinions on witchcraft caused Dee some concern and he protested passionately against his reputation as a conjuror
- Shakespeare's magus figure, Prospero, is perhaps the most positive portrayal of a magus fugure in Elizabethan and Jacobean drama
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