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The People

Episode 5 of 8

Duration:
30 minutes
First broadcast:
Saturday 10 March 2012

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it.

During the series, Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign.

In this programme, Will investigates the unspoken and unwritten contract that has existed between the rulers and the ruled in this country. Over the centuries, both parties have used compromise and conflict, threat and reward. Will uses six objects from the Collection to illuminate some of the pivotal moments in this relationship.

From the Wriotheseley Garter Book, dating from the 1520s, one of the earliest depictions of Parliament in action, to a ring keeping the memory of the recently executed King Charles I alive, Will sees both extremes of the relationship between monarch and subject. He encounters the face of revolution in an early photograph purchased by Prince Albert and meets some of those recently touched by a sword that belonged to King George VI, now known as the Investiture Sword, as he gets to the heart of the might and the majesty of monarchy.

Producer: Neil George.

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  • Memorial ring bearing a miniature of Charles I

    Memorial ring bearing a miniature of Charles I

    Memorial ring bearing a miniature of Charles I (1600-49). Memorial rings bearing the portrait of Charles I were worn by Royalist supporters during the Civil War (1642 - 1651) and following the King's execution in 1649.

     

    From: England. First recorded in the Royal Collection during the reign of King George V (1865-1936)

    Date: c. 1650 - 1700

    Material: Gold and enamel

    Size: 16 x 8 mm

     

    The Royal Collection

     

     

  • Caddinet with the arms of William and Mary

    Caddinet with the arms of William and Mary by Anthony Nelme (fl. 1680-1720)

    Caddinet made by Anthony Nelme (fl. 1680-1720). A caddinet is used at formal banquests for the service of salt and spices. This example was made for the coronation of William III and Mary II. At the time it was made, Scotland had not formally acknowledged William III and Mary II as Sovereigns and consequently the Scottish coat of arms is absent and that of Ireland is used twice.

     

    From: England. Made for the Coronation of William III (1650-1704) and Mary II (1662-1694)

    Date: 1688

    Material: Silver gilt

    Size: 394 x 311 mm

     

    The Royal Collection

     

     

     

     

  • The Wriothesley Garter Book

    The Wriothesley Garter Book, by Sir Thomas Wriothesley (c. 1460-1534)

    The Wriothesley Garter Book, by Sir Thomas Wriothesley (c. 1460-1534). This book contains possibly the first contemporary view of Parliament at Blackfriars, depicting Henry VIII enthroned.

     

    From: England. Acquired during the reign of Queen Victoria (1819-1901)

    Date: c.1530

    Material: Manuscript on vellum, with body colour and gold leaf, brush and pen linear work

    Size: 308 x 222 mm

     

    The Royal Collection

     

  • Daguerreotype recording the Chartist Meeting on Kennington Common

    Daguerreotype recording the Chartist Meeting on Kennington Common 4 October 1848, acquired by Prince Albert

    Daguerreotype recording the Chartist Meeting on Kennington Common, by William Edward Kilburn (1818-1891). Prince Albert was deeply concerned for the welfare of the working classes and frequently wrote to the Government on the subject of unemployment.

     

    From: England. Acquired by Prince Albert

    Date: 4/10/1848

    Material: Daguerreotype

    Size: 107 x 147 mm

     

    The Royal Collection

     

     

  • The Garden Party at Buckingham Palace 28 June 1897

    The Garden Party at Buckingham Palace 28 June 1897 by Laurits Regner Tuxen (1853-1927)

    The Garden Party at Buckingham Palace 28 June 1897, by Laurits Regner Tuxen (1853-1927). Queen Victoria began the tradition of garden parties at Buckingham Palace in the 1860s. This painting was commisioned in the year of her Diamond Jubilee.

     

    From: England. Commissioned by Queen Victoria (1819-1901)

    Date: 1897-1900

    Material: Oil on canvas

    Size: 1677 x 2287 mm

     

    The Royal Collection

     

     

     

  • Investiture sword and scabbard

    Investiture sword and scabbard made by Edward Smith

    Sword and scabbard, made by Edward Smith. This sword, which belonged to George VI, is used by Her Majesty The Queen at Investitures. Around 25 Investitures are held each year. The majority take place at Buckingham Palace, the Palace of Holyrood House in Edinburgh and Windsor Castle.

     

    From: England. This belonged to King George VI (1895-1952)

    Date: c.1910-1932

    Material: Nickel plate, iron, steel, wood, fish skin, silver, and gold braid

    Size: 825 mm (blade)

     

    The Royal Collection

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  • More from Radio 4: Civil War

    Civil War

    Helen Castor talks to Professor Mark Stoyle of the University of Southampton about the moment that the reality of the civil war hit home for the English in 1642 and people had to chose between King or Parliament. Forced out of London, King Charles 1st uses Commissions of Array to recruit supporters but as Mark Stoyle explains there were many places where these simply did not work.

     

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  1. Image for The Art of Monarchy

    The Art of Monarchy

    Will Gompertz enters the Royal Collection to examine some of the objects that have adorned, defined…

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