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Last broadcast on Sun, 1 Jan 2012, 14:45 on BBC Radio 3.
Synopsis
Wagner's Die Meistersinger Von Nürnberg
Presented by Martin Handley
Wagner's Die Meistersinger Von Nürnberg with Wolfgang Koch (Hans Sachs), Simon O'Neill (Walter von Stolzing) and Emma Bell (Eva). Antonio Pappano conducts live from the Royal Opera.
Seizing his opportunity after mass, Walther, a young knight from Franconia asks Eva Pogner if she happens to be engaged. Eva, who has fallen in love with Walther at first sight, tells him that her father has arranged to give her hand in marriage to the winner of the guild's song contest on the next day. Walther plans to qualify as a mastersinger during the guild meeting, traditionally held in the church after mass, and thus earn a place in the song contest despite his utter ignorance of the master-guild's rules and conventions. But this is easier said than done...
Hans Sachs...Wolfgang Koch (Baritone)
Walter von Stolzing...Simon O'Neill (Tenor)
Eva...Emma Bell (Soprano)
Sixtus Beckmesser...Peter Coleman-Wright (Baritone)
Veit Pogner...John Tomlinson (Bass)
David...Toby Spence (Tenor)
Magdalene...Heather Shipp (Mezzo soprano)
Kunz Vogelgesang...Colin Judson (Tenor)
Konrad Nachtigall...Nicholas Folwell (Baritone)
Fritz Kothner...Donald Maxwell (Baritone)
Hermann Ortel...Jihoon Kim (Baritone)
Balthazar Zorn...Martyn Hill (Tenor)
Augustin Moser...Pablo Bemsch (Tenor)
Eisslinger...Andrew Rees (Baritone)
Hans Foltz...Jeremy White (Bass)
Hans Schwarz..Richard Wiegold (Bass)
Nightwatchman...Robert Lloyd (Bass)
Conductor...Antonio Pappano
Royal Opera Chorus
Orchestra of the Royal Opera House.
Wolfgang Koch as Hans Sachs
© ROH 2011 / Clive Barda
Emma Bell as Eva
© ROH 2011 / Clive Barda
Simon O'Neill as Walther
© ROH 2011 / Clive Barda
John Tomlinson as Pogner
© ROH 2011 / Clive Barda
Peter Coleman-Wright as Beckmesser
© ROH 2011 / Clive Barda
Toby Spence as David
© ROH 2011 / Clive Barda
The Masters
(L-R) Richard Wiegold As Schwarz, Jeremy White As Foltz, Jihoon Kim As Ortel, Simon O’neill As Walther, Nicholas Folwell As Nachtigall, Wolfgang Koch As Hans Sachs, Peter Coleman-Wright As Beckmesser, Donald Maxwell As Kothner, John Tomlinson As Pogner, Colin Judson As Vogelgesang, Martyn Hill As Zorn, Pablo Bemsch As Moser And Andrew Ress As Eisslinger
© Roh 2011 / Clive Barda
Wolfgang Koch as Hans Sachs
© Roh 2011 / Clive Barda
Production Image
© Roh 2011 / Clive Barda
Act I - St Katharine's Church
Walther von Stolzing, who is visiting Nuremberg to do business with Pogner, has fallen in love with Pogner’s daughter Eva. He is anxious to declare his love for her and to find out whether she is betrothed. Her companion Magdalene tells him that Pogner plans to offer Eva’s hand in marriage, together with his entire fortune, to the winner of a song contest the following day. But only Mastersingers are eligible to enter.
Eva returns Walther’s love and is determined to marry no one else. When Magdalene learns that there is about to be a song trial she persuades her sweetheart David to give Walther immediate instruction in the rules of Mastersinging. David, an apprentice to Hans Sachs, Nuremberg’s greatest poet, expresses scepticism of Walther’s chances and proceeds to overwhelm him with just a small selection of the catalogue of rules.
When Pogner and the other Masters arrive, Walther begs leave to be admitted to their guild. He wins the immediate enmity of Sixtus Beckmesser, who is the Marker(the assessor) of the school and who intends to compete for Eva’s hand himself. Pogner outlines to the Masters his grand design for the contest and explains his motives: he is tired of hearing it said that the businessmen of Nuremberg care only about wealth. He wishes to prove that business and the arts go hand in hand by offering Eva’s hand and his fortune to the most worthy of the Mastersingers. Hans Sachs raises the possibility that Eva might not like the winner and urges that the people should also be given a voice in the decision, but his colleagues are not ready for such a democratic step.
Pogner introduces Walther, who explains that he learnt his art from Walther von der Vogelweide’s poetry and from Nature itself. He is allowed to sing a trial song, to be marked by Beckmesser; it breaks so many rules that he is interrupted before the end. Only Sachs admires Walther’s originality, but this is not enough to save him from failure. By a huge majority the Mastersingers reject his application to the guild. Walther leaves.
Act II - A Small Square
The apprentices are teasing David. Magdalene is distressed to learn from David that Walther has failed in his bid to become a Mastersinger. She and Eva persuade Pogner to go inside, and Magdalene then tells Eva of Walther’s failure to become a Mastersinger. Eva decides to question Sachs about Walther’s song test and finds him musing on the very subject. At first she does not reveal her interest in Walther; she suggests that Sachs, a widower, should himself enter the contest for her hand. Scarcely aware of the depth of Sachs’s love for her, she eventually reveals that she is in love with Walther.
Sachs pledges himself to work secretly for their union. Magdalene nters to say that Eva’s father is calling her and that Beckmesser intends to serenade her that night. Walther arrives in search of Eva. Now that he has failed at the song school, he has decided that their only choice is for Eva to elope with him. Eva changes clothes with Magdalene. Walther and Eva are about to escape when Sachs realizes what is going
on and moves swiftly to prevent it, loudly singing a folksong to make them aware of his presence.
As the couple cower in hiding, Beckmesser arrives to serenade Eva with the song he proposes to perform at the next day’s contest. Walther is all for settling his score with Beckmesser but Eva restrains him. Sachs insists that he must work late on Beckmesser’s new shoes – a somewhat noisy operation. Beckmesser begs him to be quiet; eventually the two Masters agree that the only way in which they can both get on with what they want to do is for Sachs to use his hammer instead of chalk to mark any faults in Beckmesser’s song. Magdalene appears at the window disguised as Eva, and the serenade begins.
Sachs as Marker is every bit as severe on Beckmesser as Beckmesser had been on Walther, and the ensuing racket rouses the entire neighbourhood. In the riot that follows, David beats Beckmesser, thinking him to have been courting Magdalene,
and Sachs swiftly leads Eva into her father’s house. The Nightwatchman is heard and the riot subsides.
Act III
Scene 1: Sachs’s workshop
It is St John’s Day, the morning after the riot, and Sachs is disturbed by the strange mood into which everyone seemed to plunge the previous evening. David returns from delivering Beckmesser’s new shoes and making peace with Magdalene, and works with Sachs on his latest song.
Walther appears and tells Sachs of an amazing dream he has had – so wonderful that he is afraid that by describing it he could destroy it. Sachs tells him that the function of art is to capture dreams. Walther and Sachs work together on a song based on Walther’s dream, with Walther taking advice from Sachs. Sachs hopes that Walther can perform his new song at the contest and thus win Eva.
While they are off dressing for the song contest Beckmesser arrives. He finds the newly written song and jumps to the conclusion that it is by Sachs, who will use it to compete for Eva. Sachs denies any such plan, and, to prove it, gives the song to Beckmesser.Beckmesser goes off to memorize the song, determined to use it in the contest. Eva arrives, anxious about the song contest. Walther enters and, seeing Eva, completes his song. Eva realizes how much Sachs loves her, and begs Sachs to forgive her for loving another man. Sachs philosophically tells Eva that he does not intend to make the same mistake as King Marke in the story of Tristan and Isolde.
Magdalene comes looking for Eva and is united with David, whom Sachs promotes to journeyman, in time to witness the baptism of a ‘child’ – Walther’s new song. They leave for the contest.
Scene 2: Outside the city
The guilds and populace are assembling in noisy anticipation of the song contest. The Mastersingers arrive in solemn but amiable procession. Sachs has been selected as speaker, but before he can make his speech the people salute him with love and homage, singing the hymn he himself composed in praise of Martin Luther.
Sachs introduces the contest, with much praise for the giver and the prize. Pogner’s thanks are tinged with misgivings at the outcome. Beckmesser takes the stand. He has been unable to memorize Walther’s song and makes a complete fool of himself in front of the assembly. He angrily rounds on Sachs, accusing him of the song’s authorship. This is greeted with disbelief and perplexity. Sachs remains calm and insists on summoning a witness who will make sense of the song and prove it is not by Sachs.
Walther appears, sings his Prize Song, and is acclaimed by Masters and people alike. Pogner offers him the Mastersinger’s chain. He brusquely refuses it. Sachs remonstrates with him: he must acknowledge the great legacy of art through which the Master artists preserve their culture and identity and be prepared to participate in its constant renewal. Walther is proclaimed Mastersinger and takes Eva as his bride.
Broadcast
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Sun 1 Jan 201214:45