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11/03/2011

Duration:
45 minutes
First broadcast:
Friday 11 March 2011

Presented by Jenni Murray. Live broadcast from the Women of the World festival with an audience at London's Southbank Centre. In a week that's marked a hundred years of International Women's Day, we talk to Jyoti Mhapsekar about her work with women rag-pickers in Mumbai. In celebration of women, Kate Nash sings live and Hollie McNish gives a debut performance of a poem inspired by WOW. Essex girl Syd Moore and comedian Shaista Aziz explore myths behind female stereotypes. As one survey shows only one in five women describing themselves as feminists, we ask what's the implication for the future of feminism.

Chapters

5 items
  • Hollie McNish

    Hollie performs her newly composed poem for Woman of the World.

  • International Women's Day

    What has it achieved? With Jude Kelly, Jyoti Mhapsekar, Vanessa Ogden, and Suraiua Chowdhury.

  • Kate Nash

    The singer talks to Jenni and performs her song BIRDS live.

  • Superstrumps

    Reclaiming the Essex Girl and other stereotypes with Syd Moore and Shaista Aziz.

  • Feminism - the Way Foward

    With Natasha Walter and Nina Power.

  • Hollie McNish, Performance Poem, WOW

    Hollie McNish started writing poetry when she was only five. It took her a long time to summon up the courage to perform her work in front of an audience – she was 23 when she began at the Poetry Café in London’s Covent Garden and she’s since toured the UK and Europe and her CD, Touch, a collection of her poetry and live spoken word pieces was released last year. She performs her newly composed poem for Women of the World.



    My body is amazing

    I can almost hear her saying it

    As she stands naked at the mirror

    Hands clapping in applause to it

    Naked, bold and proud

    Her mouth open wide and round like

    Wow

    My body is amazing

    She is one year’s old and loving it

    Full belly sticking out, thighs like mini tyre towers

    And when she looks at her reflection she always shouts aloud like
    Wow.

    This body is so great!

    Gazing down now

    I try to do the same

    Ignore the plastic advert spreads

    That pass me on the way

    I say ‘my body is amazing’

    Despite what some might say

    I say my body is amazing

    Despite the claims you make.

    The nip and tuck and cuts and sucks that fill my walk to work each day

    Enhancement ads and happiness will only come with curves this way and

    if I lay in front of you today

    Clothes dropped to the floor

    You’d prescribe me what I could have less and what I should want more of

    A tick box what could be chopped off with red pen ready hand aside your eyes deciding what to slice from lips and cheeks to bum and thighs

    The lines below my eyes you say

    I ought to peel or pull away

    My breasts will start to sag one day

    My breastfed baby there to blame

    She came into the world you say

    That’s great

    but now behold your face

    your saggy stomach, baggy eyes

    Stretch mark stripes you look and sigh:

    My eyes, tighten

    My legs, inject

    My thighs, cut back

    My head, perfect

    My stomach, flatten

    My breasts, enhance,

    Don’t smile, too much

    Oh God, don’t laugh.

    As you mark me like a canvas page in circled bouts of red

    I feel the need to tell you you might praise this skin instead

    Cos as you chat about corrections, your plucking cuts and lasers

    Briefcase stuffed with time relapses, scalpol led erasers

    I take up your red pen to my cheeks and mark two stripes on either side

    A naked painted warrior could be a sorer site for eyes cos

    I am ready for your battles now

    My body’s felt the worst

    No scalpol cut intense as that last damn push of birth

    And I have learnt with awed amazement what my body brave can do

    And now I’m marked like tribal tattoos with the tales my flesh went through

    But those stripes that line my saggy stomach mark me like gold

    And the folds by my eyes tell a tale just as bold

    My laughter lines are deeper now because I smile twice as much

    so if you palm read these first ‘wrinkles’ my life would light up.

    Your official position is that smoothness is queen

    but without any lines there’s no reading between them

    A storybook opening

    My life’s just begun and

    Once upon never plays

    If you cling to line one

    As you try to cover the living I’ve done

    As a human, a woman, and now as a mum

    But your red pen can’t rub out the night’s I’ve not slept, the parts that I’ve bled or the laughter I’ve wept, the baby I held in the stomach that stretched, the breasts that got heavy so baby was fed, the parties I’ve had out, the sleep I’ve missed out on, the dinners I’ve stuffed down my throat like a python,

    As you pile on the pressure to cover my life

    I wonder what on earth is so wrong with your sight.

    If my mind and my memory can tell you my tales

    Then why can my body not tell them as well?

    As our babies lie naked,

    Applauding their skin

    I can’t wait for their lives and their lines to begin.

    Hollie McNish
  • International Women's Day and Achievements

    This week marks the centenary of International Women’s Day. It is a global celebration of the economic, political, and social achievements of women past, present, and future. So how did it all begin and how is it being celebrated and what has it achieved? Jenni is joined by Jude Kelly, Artistic Director of the Southbank and festival director of WOW, Jyoti Mhapsekar who heads a women’s waste-pickers co-op in India, Vanessa Ogden, Head teacher of Mulberry School for Girls in East London, and Suraiua Chowdhury, Head Girl.

  • Kate Nash

    Following the success of her debut platinum selling number one album ‘Made of Bricks’, the singer/ songwriter Kate Nash, with her conversational lyrics about cups tea to bitchy girls and rubbish boyfriends, was just 20 when she was named Best Female artist at the Brit awards. After taking a year out due to exhaustion, she released her second album ‘My Best Friend is You’ last year. The former Brit school graduate talks to Jenni and performs her song BIRDS live on acoustic guitar.

    Kate Nash
  • Reclaiming the Essex Girl and Other Stereotypes

    Bimbo, Cougar woman, Strumpet, Stepford Wife, Yummy Mummy, and Drudge – just some of the labels regularly applied to women. Where do these stereo-types come from and do we ever admit to recognising ourselves in them? Syd Moore can be described as an ‘Essex girl’ because she was born there. Along with artist Heidi Wigmore she’s created a card game with all the characters based on female stereo-types. Shaista Aziz is a stand-up comedian and she refuses to be pigeon-holed.

    Superstrumps
  • Feminism - the Way Foward

    Nearly half of all women in the UK do not believe they are treated equally to men, according to a new poll published on the 100th anniversary of International Women’s Day. However despite this sense of social inequality and first-hand experiences of sexism, only one in five women described themselves as feminists. Has the feminist movement become too complacent and appeasing? One columnist recently wrote all this polite and smiley feminism is getting us nowhere. What are the most pressing issues that need to be addressed and is more direct action and vocal outrage the way forward? To discuss the future feminist fight Jenni is joined by Natasha Walter author of the New Feminism and Living Dolls: The Return of Sexism; and Nina Power who is a senior lecturer in philosophy at Roehampton University and author of ‘One Dimensional Woman’.

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