Episode 5

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The Culture Show, 2010/2011 Episode 5 of 26

Duration: 1 hour

An episode dedicated to the relationship between science and art.

Andrew Graham-Dixon investigates the science behind fakes, misattributed art and previously lost masterpieces. Michael Smith visits the Wellcome Collection's bizarre new show Skin.

Mark Kermode talks to mathematician and movie buff Marcus Du Sautoy about the portrayal of science in film. Will Self walks the East Riding coast riffing on its erosion, and Tom Dyckhoff visits the world's first materials library that will inspire the buildings of the future.

Clemency Burton-Hill talks to artist Conrad Shawcross, and Ben Lewis conducts a poll to measure attitudes on the future of art.

  • Tom Dyckhoff learns about the thermochromic brick.

    Tom Dyckhoff learns about the thermochromic brick.

    Dr Mark Miodownik, founder and head of the materials library at King's College London, shows Tom Dyckhoff a thermochromic brick. This can change colour to keep houses cooler in hot days.

  • Dr Mark Miodownik demonstrates how a phase changing material works

    Dr Mark Miodownik demonstrates how a phase changing material works

    Dr Mark Miodownik is showing Tom Dyckhoff a phase changing material. This can help control the temperature in buildings by changing from solid to liquid, and vice versa.

  • Tom Dyckhoff explores the materials library at King's College London

    Tom Dyckhoff explores the materials library at King's College London

    It’s currently estimated that the materials library at King’s College London contains over a thousand building materials. Dr Mark Miodownik is showing Tom Dyckhoff an example of one of them.

  • Ben Lewis investigates the Future of Art

    Ben Lewis investigates the Future of Art

    Contemporary art crystal-ball-gazing is the new small talk in the art world. If the palm-readers and shamans, who read the future in disembowelled animals, could predict the future of contemporary art that way, they would find themselves swiftly employed as art advisors in today’s art world (… Hold on, couldn’t that be a special installation at the next Frieze? I will bring one over from Brazil).

    There is a widespread feeling we have reached a momentous turning point: that one era is over and another is about to start, as if we were at the transitional phase from Rococco to Romanticism, or Neo-classicism to Modernism.

  • Readymade still relevant?

    Readymade still relevant?

    In the absence of Shamanic guides, I decided to employ a bit of science, a poll to be precice.

    The idea was to see if the science of psychometrics could give any indication of what the next era of contemporary art might be...

    I devised a questionnaire, took some advice from the experts at Ipsos MORI and Birkbeck College, made the questionnaire better, and finally emailed it to the art world. Myself and my team of workers contacted everyone we could think of within the art world; artists, gallery directors, curators, art critics, art students, gallerinas and public and private gallery staff, even collectors.

    We needed to get at least 500 responses in order to be able to gain any insight from the data. Miraculously over 1000 people took part and 869 art world insiders completed the entire questionnaire (in my attempt to be thorough I had perhaps made it a bit long).

    What did we find out? Well have a look at the results, published here in full.

    Take a look at the full survey (PDF, 207KB)

Credits

Interviewed Guest
Marcus du Sautoy
Interviewed Guest
Conrad Shawcross
Production Manager
Emma Fowler
Presenter
Andrew Graham-Dixon
Presenter
Ben Lewis
Presenter
Will Self
Presenter
Tom Dyckhoff
Presenter
Michael Smith
Presenter
Mark Kermode
Presenter
Clemency Burton-Hill
Producer
Emily Kennedy
Producer
Emma Causac
Executive Producer
Janet Lee

Broadcasts

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