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ON THE SHOW THIS WEEK
Hannah McGill is the Artistic Director of the Edinburgh International Film Festival, which opens on June 16th. She was born in Shetland in 1976, grew up in Lincolnshire, and studied English Literature and Film and Television Studies at the University of Glasgow. Before taking up her current role in 2006 she was a critic and columnist working for a number of publications including The Scotsman, The Herald, The Times, Uncut, Time Out, Art Review, The Guardian and Sight and Sound. She has also lectured in Film Journalism at the University of Glasgow and written short fiction and drama.
Paul Morley wrote for the NME between 1977 and 1983 and was a member of the eighties group, The Art of Noise. As art director for the pop group Frankie Goes to Hollywood he was responsible for the 'Frankie Says...' T-shirts. He's published several books about music including Words and Music: A History of Pop in the Shape of a City, and Ask: The Chatter of Pop, a collection of his NME journalism. A memoir, Nothing, a true fantasy about the effects of his father's suicide, was published by Faber in 2000. Paul . He has also contributed to Anton Corbijn's book of U2 photography, U2 and I. He has written for Esquire, GQ Magazine, The New Statesman, The Guardian, The Observer and The Sunday Telegraph.
Stella Duffy is a novellist, actor and comedian. Her book, The Room of Lost Things, was longlisted for the 2008 Orange Prize and won Stonewall Writer of the Year. She created the character, Saz Martin, the Private Investigator who appeared in five of her novels between 1994 and 2005. She's also written several plays and short stories and won the 2002 CWA Short Story Dagger for Martha Grace from the Tart Noir anthology she co-edited with Lauren Henderson. She has performed with the experimental theatre company, Improbable and with the Comedy Store. Her solo show, Breastrokes, was Time Out and Guardian Critic’s Choice. She also writes for theatre and radio with a particular interest in improvisation. Her new historical novel, Theodora - Actress, Empress, Whore has been published this week.
Mat Collishaw is one of the prominent Young British Artists who along with Damien Hirst and Tracy Emin, came to the attention of the British public at the Sensation Exhibition at London's Royal Academy in 1997. His breakthough work, Bullet Hole was a blown up photo installation of a wound in a person's head and much of his subsequent work has looked at the juxtaposition of violence and beauty His work has been exhibited throughout Europe and the United States. He has used a range of media for his work but has largely focussed on film, photography and video. His work also contains historical and art-historical references to the interaction between nature and culture. Often the images are digitally altered, the underlying theme being the relationship between representation and reality. -
THE KILLER INSIDE ME
Director Michael Winterbottom's film The Killer Inside Me premiered at Sundance this year to numerous walkouts and, from one woman, the much reported : 'How dare you?'. That the film is violent is not in question, but the style of the violence - cool, unflinching, direct and extended - has caused a debate to erupt over its legitimacy. Winterbottom says he wanted to keep the film as faithful as possible to the source, a 1952 novel by cult pulp novelist Jim Thompson. So is the film the schlock horror some make it out to be, or a more studied exercise in depicting the real horror of murder? Aside from this, is it even a good film?
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YANN MARTEL'S NEW BOOK BEATRICE AND VIRGIL
The Canadian writer Yann Martel's 'Life of Pi' became the biggest-selling book to ever win the MAN Booker prize. The follow-up is another allegory featuring animals, this time a donkey and monkey, who give the book its title - 'Beatrice and Virgil'. However the story iself, featuring multiple layers and texts within texts, is a complicated affair which the author has said was his attempt to re-address what he saw as the perceived lack of artistic efforts to tackle the Holocaust. He has sought to break away from history and use the power of the imagination to convey the horrible events in a less obvious way. But the book has come in for some harsh criticism in the US where it has already been released. Kirsty interviewed the writer and he also reads extracts from the book.
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BRITISH ART NOW AT THE SAATCHI GALLERY, LONDON
80s ad-man Charles Saatchi made a second career, and a tidy fortune, from trading on the work and notoriety of the 90s Young British Artists; he famously sold that Damien Hirst shark for a reported $7m profit. The "YBA" movement - and Saatchi's collecting nouse - was firmly established with the 1997 Sensation exhibition at the Royal Academy, which caused, predictably enough, a sensation, with its depictions of Myra Hindley and grotesquely mutilated child-mannequins. No Saatchi-curated show has caused such a stir since. This exhibition, which references the YBAs in its title, offers a far more diverse set of artists who do not all know each other and are not, as yet, part of any coherent movement. Does this matter? Or does it show that British art now has lost its vibrancy, or maybe, even, that Saatchi has lost his eye?
The Saatchi Gallery's Official Website -
CULTURAL HIGHLIGHTS FROM OLIVER JAMES
Oliver James psychologist and author of They F*** You Up talks to us about his cultural highlights. His new, and already controversial, book How Not To F*** Them Up is published on the 03rd June.
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LIVE MUSIC FROM ED HARCOURT
And live music from singer-songwriter Ed Harcourt who returns with a new album, Lustre after a four year break. He'll be playing the keyboards and singing his new soulful song, Lachrymosity
Ed Harcourt's Official Website
Credits
- Presenter
- Kirsty Wark



