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Nicola Vicentino Medal
Victoria and Albert Museum, London
Vicentino Medal at the V&A
Medal showing Nicola Vicentino and the two ‘super-keyboards’ he invented for his tuning system of 31 notes to the octave, the archicembalo and the arciorgano. The medal is not on general display but can be viewed by appointment. -
Vicentino’s super-harpsichord, the archicembalo
In his treatise Ancient Music adapted to Modern Practice (L’antica musica ridotta alla moderna prattica), published in Rome in 1555, Vicentino included full instructions for building your own archicembalo, including foldout diagrams of its strings and its two keyboard manuals.
Diagram of lower keyboard manual -
Archicembalo
The Italian Marco Tiella has constructed an archicembalo following Vicentino’s instructions: this article (in German) by Thomas Noll of the Technical University of Berlin includes a photograph of it (on p. 14).
Modern reconstruction by Marco Tiella of Vicentino’s archicembalo -
31-note-to-the-octave keyboard
Only one keyboard instrument using the 31-note-to-the-octave system survives from the Renaissance or Baroque: the ‘Clavemusicum Omnitonum, built by Vito Trasuntino of Venice in 1606 to play the diatonic, chromatic and enharmonic’. It is on display at the International Museuam and Library of Music (Museo Internazionale e Biblioteca della Musica) in Bologna.
Vito Trasuntino’s Clavemusicum Omnitonum -
Vicentino's treatise
A digital reproduction of the copy of Vicentino’s treatise held by the Library of Congress in Washington, DC, is available courtesy of the National Library of France.
Vicentino’s treatise Ancient Music adapted to Modern Practice -
Ferrara
The Palazzo Costabili, now the Ferrara Archaeological Museum, was one of the palaces where Vicentino lived in the 1550s in the household of his patron, Cardinal Ippolito II d’Este.
Views of the Palazzo Costabili -
Ferrara
The National Art Gallery (Pinacoteca Nazionale) in Ferrara has a harpsichord lid from the court of the ruling d’Este family, painted in the mid-to-late 1500s. Could it be the lid of Vicentino’s archicembalo?
Painted harpsichord lid at the National Art Gallery in Ferrara -
Venice
Façade of the church of San Pantalon in Venice, which has been rebuilt since Vicentino’s time. He was Maestro di cappella (in charge of the music) at the church in 1560–61.
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Madrid letter 1
Some letters from Vicentino have recently been rediscovered at the Real Biblioteca in Madrid. He wrote them in Venice in 1560–61, touting for business with Antoine Perrenot de Granvelle (Bishop of Arras and on the point of being elevated to Cardinal).
Letter 1 - from Vicentino to Granvelle dated 14 September 1560 [Madrid, Real Biblioteca: manuscript II/2274], which includes information about the construction of the arciorgano: ‘…for now I’m staying here in Venice while my chromatic organ is being built. So far it’s half-finished; it will be marvellous to hear… [signed] Don Niccola Vicentino of Vicenza. Inventor of the practice of chromatic and enharmonic music, and of the archicembalo and the arciorgano…’. -
Madrid letter 2
Letter 2 - from Vicentino to Granvelle dated 4 January 1561 [Madrid, Real Biblioteca: manuscript II/2275]: ‘By the last courier I sent to your Illustriousnous a madrigal for 6 voices… and if you would like me to send you my Passion for Good Friday for 13 voices – that is, the role of the Evangelist for 4 voices, the words of Christ for 3 voices and the mob for 6 voices, set with sweet harmony – I would be very happy to do so… [signed] Don Niccola of Vicenza, Director of Music at San Pantalon.’ There’s no evidence that Granvelle ever followed up his offer.
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Milan
Façade of the church of San Tomaso in Terramara, Milan, which has been rebuilt since Vicentino’s time. He was parish priest there from 1565 until his death on 11 April 1577.
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Milan
Five collections of Vicentino’s music were published in Milan in the 1570s, but only one is known to survive complete – in only a single copy, at the Biblioteca Estense Universitaria in Modena. A digital reproduction of it is available courtesy of the National Library of France.
Vicentino’s Fifth Book of Madrigals for Five Voices -
Contributors
Manfred Cordes, Hochschule für Künste, Bremen -
Davide Daolmi
Davide Daolmi, Università degli Studi di Milano (in Italian) -
Mary Hollingsworth
Mary Hollingsworth -
Margaret Hunter
Margaret Hunter -
Lewis Jones
Lewis Jones, London Metropolitan University -
Laurie Stras
Laurie Stras, University of Southampton -
James Weeks
James Weeks -
Jon Wild
Jon Wild -
BBC Singers
BBC Singers
Broadcasts
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BBC Radio 3Sat 27 Mar 2010 12:15 BBC Radio 3
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BBC Radio 3Sat 23 Jul 2011 12:15 BBC Radio 3
Sara Mohr-Pietsch presents Radio 3's classical breakfast show.