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Verdi's Rigoletto

Duration:
3 hours, 15 minutes
First broadcast:
Saturday 31 January 2009

From the Metropolitan Opera House, New York, Riccardo Frizza conducts a young cast in Otto Schenk's production of Verdi's Rigoletto, a work that incorporates his most memorable melodies, and which shows his individuality as an operatic composer.

The dark story focuses on the exploits of the womanising Duke of Mantua and his hump-backed court jester Rigoletto. When Rigoletto's daughter Gilda is abducted, he plots revenge, but a curse placed on him means that the result can only lead to tragedy.

Duke of Mantua ...... Giuseppe Filianoti (tenor)
Rigoletto ...... Zelijko Lucic (baritone)
Gilda ...... Aleksandra Kurzak (soprano)
Sparafucile ...... Mikhail Petrenko (bass)
Maddalena ...... Victoria Vizin (mezzo-soprano)
Giovanna ...... Kathryn Day (soprano)
Count Monterone ...... Keith Miller (bass)
Borsa ...... Mark Schowalter (tenor)
Count Ceprano ...... James Courtney (bass)
Countess Ceprano ...... Grazia Doronzio (soprano)
Metropolitan Opera Chorus and Orchestra
Riccardo Frizza (conductor).

  • Photo Gallery

    See a selection of photographs from Metropolitan Opera production

    Photo Gallery of Rigoletto
  • Synopsis - Act 1

    At a party in his palace, the Duke of Mantua boasts of his way with women (“Questa o quella”).

    He dances with the Countess Ceprano, and his hunchbacked jester, Rigoletto, mocks the countess’s enraged but helpless husband.

    The courtier Marullo bursts in with the latest gossip: Rigoletto is suspected of keeping a young mistress in his home.

    The jester, unaware of the courtiers’ talk, continues to taunt Ceprano, who plots with the others to punish the duke.

    Monterone, an elderly nobleman, forces his way into the crowd to denounce the duke for seducing his daughter and is viciously ridiculed by Rigoletto. Monterone is arrested and curses Rigoletto.

    Rigoletto hurries home, disturbed by Monterone’s curse. He encounters Sparafucile, a professional assassin, who offers his services.

    The jester reflects that his own tongue is as sharp as the murderer’s dagger (“Pari siamo!”).

    Rigoletto enters his house and warmly greets his daughter, Gilda, who questions him about her long-dead mother.

    He describes her as an angel and adds that Gilda is all he has left (Duet: “Figlia... Mio padre!”). Afraid for the girl’s safety, he warns her nurse, Giovanna, not to let anyone into the house.

  • Act 1 - continued

    When the jester leaves, the Duke appears and bribes Giovanna, who lets him into the garden.

    He declares his love for Gilda (Duet: “È il sol dell’anima”), who has secretly admired him at church, and tells her he is a poor student named Gualtier Maldè.

    After he leaves, she tenderly repeats his name (“Caro nome”) before going to bed.

    The courtiers gather outside the garden intending to abduct Rigoletto’s “mistress.”

    Meeting Rigoletto outside the house, they change their story and instead ask his help in abducting Ceprano’s wife, who lives nearby.

    The jester is duped into wearing a blindfold and holding a ladder against his own garden wall.

    Laughing at the trick they have played on him, the courtiers break into the house and carry off Gilda. Rigoletto tears off the blindfold and rushes into the house.

    He realizes Gilda is gone and collapses as he remembers Monterone’s curse.

  • Act 2

    In his palace, the duke is distraught about the abduction of Gilda, whom he imagines alone and miserable (“Parmi veder le lagrime”).

    When the courtiers return and tell him the story of how they took the girl from Rigoletto’s house and left her in the duke’s chamber, the duke hurries off to the conquest.

    Rigoletto enters, looking for Gilda. The courtiers are astonished to find out that she is his daughter rather than his mistress, but prevent him from storming into the duke’s chamber.

    The jester violently accuses them for their cruelty (“Cortigiani, vil razza dannata”) but ends his tirade with a plea for compassion.

    Gilda appears and runs in shame to her father, who orders the others to leave.

    Alone with Rigoletto, Gilda tells him of the duke’s courtship, then of her abduction (Duet: “Tutte le feste al tempio”).

    When Monterone passes by on his way to execution, the jester swears that both he and the old man will be avenged.

    Gilda begs her father to forgive the Duke.

  • Act 3

    Rigoletto and Gilda arrive at an inn on the outskirts of Mantua where Sparafucile and his sister Maddalena live.

    Inside, the duke laughs at the fickleness of women (“La donna è mobile”).

    Gilda and Rigoletto watch through the window as the duke amuses himself with Maddalena (Quartet: “Bella figlia dell’amore”).

    The jester sends Gilda off to Verona disguised as a boy and pays Sparafucile to murder the duke.

    A storm gathers. Gilda returns to overhear Maddalena urge her brother to spare the handsome stranger and kill the hunchback instead.

    Sparafucile refuses to murder Rigoletto but agrees to kill the next stranger who comes to the inn so that he will be able to produce a dead body—even though it is not the one he has paid for.

    Gilda decides to sacrifice herself for the duke. She knocks at the door and is stabbed.

    hen the storm subsides, Rigoletto returns to claim the body, which he assumes is the duke’s.

    As he gloats over the sack Sparafucile has given him, he hears his supposed victim singing in the distance.

    Frantically tearing open the sack, he finds his daughter, who dies asking his forgiveness.

    Horrified, Rigoletto remembers Monterone’s curse.

    © Metropolitan Opera

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