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Composer of the Week episodes coming up

(21 programmes)

  1. 5/5. Donald Macleod focuses on two of Moskowski's most celebrated piano pieces.
  2. 1/5. Donald Macleod defines some of the characteristics of the Opera-Comique genre.
  3. 1/5. Donald Macleod defines some of the characteristics of the Opera-Comique genre.
  4. 2/5. Donald Macleod and Karen Henson on Opera-Comique's roots in the 18th century.
  5. 2/5. Donald Macleod and Karen Henson on Opera-Comique's roots in the 18th century.
  6. 3/5. Donald Macleod and Karen Henson explore the influence of Napoleon on Opera-Comique.
  7. 3/5. Donald Macleod and Karen Henson explore the influence of Napoleon on Opera-Comique.
  8. 4/5. Donald Macleod examines the impact of the Theatre-Lyrique, a rival to the Opera-Comique.
  9. 4/5. Donald Macleod examines the impact of the Theatre-Lyrique, a rival to the Opera-Comique.
  10. 5/5. Donald Macleod explores the Opera-Comique on the cusp of the 20th century.
  11. 5/5. Donald Macleod explores the Opera-Comique on the cusp of the 20th century.
  12. 1/5. Donald Macleod examines the few known facts of Albinoni's life.
  13. 1/5. Donald Macleod examines the few known facts of Albinoni's life.
  14. 2/5. Donald Macleod explores Albinoni's operatic output. Only three of them survivied intact.
  15. 2/5. Donald Macleod explores Albinoni's operatic output. Only three of them survivied intact.
  16. 3/5. Donald Macleod considers Albinoni's important role in the development of the concerto.
  17. 3/5. Donald Macleod considers Albinoni's important role in the development of the concerto.
  18. 4/5. Donald Macleod explores Albinoni's small but elegant catalogue of chamber music.
  19. 4/5. Donald Macleod explores Albinoni's small but elegant catalogue of chamber music.
  20. 5/5. Donald Macleod considers the many patrons Albinoni had to ingratiate during his career.
  21. 5/5. Donald Macleod considers the many patrons Albinoni had to ingratiate during his career.

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