That Ebenezer geezer... who was the real Scrooge?

13 December 2018

Charles Dickens’ A Christmas Carol is the classic holiday season morality tale with curmudgeonly old miser Ebenezer Scrooge at its core. In a new production on BBC Four, Dickens devotee Simon Callow interprets the author’s own performance adaptation. But where did the idea for Scrooge come from? NATALIE BUSHE discovers a couple of possibilities.

Simon Callow in the binaural production of A Christmas Carol

Charles Dickens was not only one of the greatest novelists of the 19th Century, but also an inspired actor and director, who performed A Christmas Carol around the country as a one-man show. Known for his innate ability to summon each of the 38 characters, Dickens was lauded for his ability to create a riveting world for his audience to inhabit.

Dickens couldn’t have been more wrong about the real Scroggie

In a new production, Simon Callow takes the mantle of the author and conjures up Scrooge, Tiny Tim and Mr Fezziwig, and together with director Tom Cairns has shaped an immersive performance and binaural audio experience which reworks the classic tale.

But how did the author create Ebenezer Scrooge – "a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner," as Dickens describes him?

It’s been suggested that during a walk in Edinburgh’s Canongate kirkyard in June 1841, Dickens came across the gravestone of one Ebenezer Lennox Scroggie. The gravestone gave ‘meal man’ as Scroggie’s profession, referring to his trade as a merchant.

Somehow Dickens misread this as ‘mean man’ and later wrote in his notebook: "To be remembered through eternity only for being mean seemed the greatest testament to a life wasted."

He couldn’t have been more wrong about the real Scroggie.

Research by political economist Peter Clark has shown that he had been a corn trader and vintner whose family had supplied Captain Cook’s ship Endeavour as it charted the Pacific.

Scroggie imported wine in bulk and exported whisky in return, building a reputation and gaining royal patronage, leading to two years acting as Edinburgh’s Lord Provost. He was a jovial man and a scallywag who once interrupted the General Assembly of the Church of Scotland by goosing the Countess of Mansfield.

He may have taken advantage of one of his servants too, having a child out of wedlock - not the behaviour you would expect from Dickens’ Scrooge; well, maybe after the visitations.

Unfortunately, the grave marker was lost during restoration of the Kirk in 1932. But there are plans to recognise Scroggie and his life by erecting a memorial and drawing attention to his literary influence.

The other inspiration for Scrooge is likely to have been John Elwes (1714-1789), the MP for Berkshire who was born in to a prestigious and wealthy family of reputed skinflints.

Unusually for a miser, Elwes could be affable, considerate and generous with his cash

Dickens would have known of Elwes through a biography written by Edward Topham, Life of the Late John Elwes (1790), which became a bestseller, going through 12 editions and establishing ‘Elwes the miser’ as the archetypal penny-pincher:

“All earthly comforts he voluntarily denied himself: he would walk home in the rain, in London, sooner than pay a shilling for a coach: he would sit in wet clothes sooner than have a fire to dry them: he would eat his provisions in the last stage of putrefaction sooner than have afresh joint from the butcher's…”

And this was a man who was bequeathed an estate by his uncle which exceeded £18million in today’s money.

Unusually for a miser, Elwes could be affable, considerate and generous with his cash, often lending to those in need (without the usury terms that Scrooge would recognise) - and losing it. “His avarice,” says Topham, “consisted not in hard-heartedness, but in self-denial.” He left the equivalent of over £28million to his children after his death in 1789.

Dickens is certainly no stranger to the miser as a type. It could be said he expanded on the character of Gabriel Grub from The Pickwick Papers (1837).

But while the name Scrooge is now a byword for a selfish, miserly person, the book ends on a note of optimism: “God bless us, every one!” Surely Scroggie and Elwes would applaud that sentiment too.

Commissioned by BBC Films and co-funded by The Space, A Christmas Carol is on BBC Four at 22:00 on Sunday 16 December, and then on BBC iPlayer for 30 days. It is also showing at selected cinemas nationwide now.

A version of this article was originally published in 2015.

Watch the trailer

A Christmas Carol starring Simon Callow as all 38 characters. A more involving 360° listening experience can be heard in either stereo, 5.1 or through headphones binaurally.

John Leech's illustration from A Christmas Carol, published by Chapman & Hall in 1843
John Elwes MP was famously miserly

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