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1 December 2009
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Picture of Britain
Richard Wilson's Cader Idris copyright Tate, London 2005

Tate Britain Room Summary:

The Mystical West



Since the eighteenth century, many artists have travelled to the West of England and to Wales to find a world of myths and megaliths redolent of an ancient Celtic past.

 

This section covers an area ranging from Stonehenge, depicted in Henry Mark Anthony's huge painting, to North Wales, from the Wye Valley to Cornwall.

 

Among the highlights are works by the classical Richard Wilson and the late romantic Clarence Whaite, who discovered a druidical world of myth and folklore in Snowdonia.

 

In the twentieth century, artists such as Graham Sutherland and David Jones found in Pembrokeshire a mysterious world of natural forces and enchantment, a refuge from the terrible realities of the times.

 

By the same period, a number of artists, including Ben Nicholson and Barbara Hepworth, had established a colony at St Ives in Cornwall - and after the Second World War this fishing village at the far western end of Britain had become an internationally renowned centre for abstract art.

 

Artists such as Peter Lanyon married a commitment to new techniques to a romantic vision in large canvases, which created an entirely new form of landscape art.




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