|

So here I am again. This is the third time I've been to the Catweazle
Club over the years. Each time I've been to a different venue. The
North Gate Hall is where I am tonight and where the club's spent
most of its ten year history.
The
Catweazle is Oxford's high brow acoustic night, more austere than
the Exeter Hall, more focused than The Port Mahon.
 |
| Rachel
Mari Kimber |
 |
| Dave
Noble |
 |
| Matt
Sage |
Tonight
I'm here because Welsh singer Rachel Mari Kimber is in town.
It's
a big risk for a professional to throw their lot in against a mass
of unsigned talent, especially here, where you get the cream of
Oxford's crop.
There's
the risk of being outshone by a hippy and a startling tabla rendition
in E flat minor. It doesn't help that I like to treat evenings like
this as a mini Eurovision Song Contests.
Play
along next time you go to an acoustic night, give each performer
a country of origin and then mark them out of ten.So
how did the Welsh entry do?
Well
the India sitar playing by Dave Noble was unique but lengthy. My
brother had given the contest to Matt Sage's love outfit and their
beautifully quirky song until it was snatched from their hands by
a late entry from a pair of South African drummers.
But
for me the Welsh took it by a nose. Rachel might have looked as
if she'd been told how to wear trousers by Simon Cowell but her
voice was beautiful and the guitar playing varied and robust. The
songs were extremely folk but also pleasantly contemporary and even
though she sometimes struggled against her own guitar the lyrics
were delightfully emotive.
If
she's not already played Cropredy she should do next year.
|