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September 2002
Running for cover - Review of Somewhere: Places of refuge in art and life at the Angel Row Gallery
Sleeping bag - Exhibit at the Angel Row Gallery
Sleeping bag: Exhibit at the Angel Row Gallery
I didn’t expect to confront the nightmare of my reoccurring dream as I walked through the doors of the Angel Row Gallery.

Report by Imogen Gray
NTU Platform article
SEE ALSO
NOW Festival:
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Review: Night Bus

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Review: Somewhere


Rubens exhibition

Reactor exhibition
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FACTS

Address:
Angel Row Gallery
Central Library Building
3 Angel Row
Nottingham
NG1 6HP

Exhibition:
"Somewhere: Places of refuge in art and life"

Open until:
2nd November 2002

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I used to have this recurring dream involving a small tent, a high mountain-top and bad weather; it was frightening as it always concluded with an eventual terrifying descent.

I didn’t expect to confront this horror when I walked through the doors of Angel Row on my way to check out the latest exhibition titled "Somewhere: Places of refuge in art and life".

Mounted upon the wall is a paper cliff held up with delicately thin strips of masking tape, a red tent sits upon the absolute edge waiting for that sudden gust of wind and an inevitable fate.

As cold shudders run down my spine I wonder at the reality of Neal Begg’s experiences as a climber that has inspired this work, living out part of my nightmare for real.

A sequin encrusted sleeping bag seems to hint at the level of protection that this covering has provided for Begg, something that has kept him alive, a place of survival becoming his place of sanctuary and an object of ultimate beauty.

Wandering around the sculptural village which hosts the presence of sixteen national and international artists, I experience the diversity of work which has all spiralled out of ideas based around sanctuary and refuge.

Dens, garden sheds, cardboard-boxes, huge labyrinth installations made from card (Hew Locke) to miniature wall mounted houses balanced on wound threads (Tasmin Pender) are placed, amongst others, around the initial two rooms of the gallery.

As I take I final look at the strange tent structures that have been mixed with clothing made by Lucy Orta I look around the corner into the projections provided by the seven separate video artists.

These artists seem to of looked at refuge on a much more real, human level. Jordon Baseman’s ‘born to run’ starts as I sit down.

Normally it takes a certain level of endurance for me to sit through video art, I’m not saying I don’t like it but a lot of it I find difficult to sit and watch for longer than a few seconds, but when I came out of that room I realised I had been in there for twenty minutes.

Jordon Baseman’s film caught my attention and seemed to epitomise the truth of what refuge is really about. Set in a roadside snack bar two men banter with each other, their customers and the camera. Unravelling the truth of the mans current situation Baseman films this emotional retreat of a man who has just been left by his wife.

Inside his caravan you realise that his refuge isn’t just with his daily routine or his business but more about the comfort of another mans friendship. Maybe friendship is what keeps us protected, perhaps that was the safety net that always prevented me from meeting the jagged rocks at the bottom of the mountain in my dream.

Perhaps we should all take a head on approach, face our fears and get down to see this exhibition.

"Somewhere: Places of refuge in art and life" continues at the Angel Row gallery until the 2nd November.
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