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December 2003
The Constant Wife - review

Director:
Mark Piper
Cast:
Liza Goddard, Michael Praed, Sara Crowe, Susan Penhaligan
Venue:
Nottingham Theatre Royal
Dates:
Monday 1st December to Saturday 6th December 2003
Tickets:
£8 - £16 (Tel: 0115 989 5555
The Constant Wife
Michael Praed in The Constant Wife

Big names-a-plenty in this version of Somerset Maugham's play.

Tara Jeffrey

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FACTS

The Constant Wife was written by Somerset Maugham.

Actor Michael Praed played Robin in the cult TV series Robin of Sherwood.

He then enjoyed more glamour in Dynasty.
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The Constant Wife is a charming, light hearted satirical comedy, jam-packed with the wit Maugham’s works are famous for.

Set in the late 1920’s the story focuses on the central character Constance Middleton, (delightfully portrayed by Liza Goddard) and her philandering husband John.

Constance's family and friends are well aware of John’s affair and desperate to reveal it, ensuring plenty of witty insinuations and comic one liners.

To make matters more interesting Constance's old flame Bernard Kersal (played by Michael Praed from ‘Robin of Sherwood’ fame) returns after 15 years away and professes his undying love for her.

The Constant Wife was written by William Somerset Maugham in the 1920’s and although the period is firmly established in costume and speech, the essence of the story and characters attitudes are well ahead of their time.

Focusing on the emerging feminist attitude, Constance is a character of intelligence, wit, warmth and a determination to be her own women whilst attending dutifully to her husband's needs.

The cast work extremely well together, the lines delivered with timing, panache and enthusiasm. I have to say one of my favourite moments involves Michael’s character Bernard, who is so overjoyed that he skips off the stage like a school girl.

The fact the cast on stage manage to keep a straight face makes it even more hilarious.

My only criticisms of the play are more to do with the writing; many of the jokes require a little thought or are a product of their time, so for the younger audience members you may find yourself starring perplexed whilst others laugh.

An enjoyable, light-hearted piece of theatre.
3/5


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