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Our
Man in Zambia

Our
Man in Zambia : Part Two

Our
Man in Zambia : Part Three

Our
Man in Zambia : Part Four
Our
Man in Zambia : Part Five
Our
Man in Zambia : Part Six
Our
Man in Zambia : Part Seven
Our
Man in Zambia : Part Eight
Our
Man in Zambia : Part Nine |
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VSO

Jamie Baldwin
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| FACTS |
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Zambia:
Population: 10.8 million (UN, 2003)
Capital: Lusaka
Major language: English (official), Bemba, Lozi, Nyanja,
Tonga
Major religions: Christianity, indigenous beliefs,
Hinduism, Islam
Life expectancy: 33 years (men), 32 years (women) (UN)
Leader: Levy Mwanawasa
Monetary unit: 1 Kwacha = 100 ngwee
Main exports: Copper, minerals, tobacco Average annual
income: US $320 (World Bank, 2001) Internet domain: .zm
International dialling code: +260
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Nowhere else is this Shakespearean adage more appropriate
than in Zambia. Without the many material goods such as stereos,
cds, televisions and cinemas, the importance of music and singing
is paramount to Zambian society.
As the famous Zimbabwean musician, Oliver Mtukudzi
said recently: "In my culture, which is an African culture,
you don't get to sing a song if you have nothing to say. Which means
there is a reason for every song."
Oral traditions are especially strong here. Creation
myths, fables and proverbs are passed from one generation to the
next through songs. The stories from the day are often recited by
each person round the fire, to the beating of drums - the heartbeat
of Zambian social life.
The drums include the huge maoma drums of the Lozi,
the imangu friction drums of the Bemba and the kachacha drum chimes
of the Luvale. Other traditional instruments are the mbira (thumb
piano) and the kalimba (a kind of xylophone). Building musical instruments
is one of Zambia's great arts, and creating new melodic contraptions
is a specialty.
Take the vingwengwe - a local instrument played
by four women. Four overturned metal pots are placed in a row. Each
woman places a stool on top of the pot and turns it to make the
pots resonate. As they turn the stools in rhythm, they create a
quartet of "voices."
From birth to death, music and song follow you
throughout your life in Zambia. Relatives will gather at the birth
of a new baby, singing for hours at the miracle. Trucks and buses
packed full of those mourning the death of a loved one can be heard
far down the road, not by the noisy, spluttering engines but by
a united chorus of Zambians singing their hearts out.
Zambians enjoy modern as well as traditional music.
In 1976, the government decided that 90% of the music broadcast
on local radio stations should be Zambian. This decision boosted
the popularity of many artists, including the late Emmanuel Mulemena,
a well-loved singer.
In the 1980s, a Zambian style of pop music called
Kalindula spread across the country. Its driving bass line and strong
guitars have made it a favourite. More recently, stars such as Danny
have caused controversy by singing about divisive topics such as
homosexuality.
As I write this month's diary, I am reminded of
the recent death of one of South Africa's leading female singers.
Brenda Facey, often referred to as the African Madonna, had been
in a coma for over a week before she died last week. Her songs live
on however, as the thousands of fans who gathered at a memorial
testified, singing her songs late into the night.
Whether famous or not, it is the beats and rhythms of Africa that
take you along life's journey here.
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