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Review: East is East
East is East
East is East

Having been made into a smash-hit film in 1999, Ayub Khan-Din's East is East goes back to its theatrical roots in this latest stage production, directed by York Theatre Royal's Damien Cruden. Katy Wright grabbed a notebook and went along…

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Set against the backdrop of working class Britain during the early 70s, East is East portrays the difficulties faced by Pakistani Muslim George Khan (played by Marc Anwar), his British wife Ella (Janys Chambers) and their six children, as they each attempt to establish and understand their cultural identities and loyalties.

We're taken to the Khan family's Salford home in an opening scene not dissimilar to the beginning of The Simpsons; the various members of an apparently chaotic family race about the set before awkwardly squeezing themselves onto a sofa, where they pose for a portrait photograph. But this fleeting moment of order and harmony, captured in the blink of the camera's eye, isn't to last…

As the huge, skewed picture frame surrounding the back of the set suggests, what we're getting is the story of disorder and tension that belies the family portrait. We watch as George attempts to impose Pakistani and Muslim traditions on his increasingly independent and rebellious children, while his wife does everything she can to support her off-spring without undermining him. And in one of many poignant moments in the play, we witness George's wrath when he finally cracks and violently attacks his wife.

The play's darker side is offset by an equal measure of well-delivered humour. From Tariq's suggestion that his sister Meenah cover up the smell of the bacon they've secretly been eating by chucking about some curry powder, to the youngest son, Sajit's proclamation that his brother has created "a woman's fanny in a box" at art school, there's always a line to buoy you up from the depths.

Undoubtedly the funniest character in the play, however, is Auntie Annie (expertly played by Sarah Parks), whose unintentionally comical observations - "Funeral's on Friday. They're having salmon" - provide a steady supply of laughs for the audience.

The overall performance did at times seem a little rough around the edges, though I suspect this was largely due to the fact that Ernest Ignatius, who plays central character George, was replaced at the last minute due to 'unforeseen circumstances'. Nevertheless, the combination of a clever script, a well-designed set, and a talented cast captured my attention for the duration. And the inclusion of the script in the programme was a nice touch!

Katy Wright

Performance details
Dates:
23rd Sept - 8th Oct 2005
Tickets: £8.50 to £18.00, with tickets for schools at £3.50.
Box Office: 01904 623568.


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