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The
Cribs & 10,000 Things
The Soundhaus, Northampton
Tuesday,
17th February |
Where
were you? We told you it would be great, and you didn't come. Two
of the leading up-and-coming underground bands are on your doorstep
and you chose to stay in and watch The Brits.
Leeds is the place to be at the moment. How big the scene could
get is still in the balance. Another Madchester? Probably not, but
if there is a push from Leeds to be the next major musical hotspot
- The Cribs will be on the frontline.
The three brothers from Wakefield pull off the art-punk approach
brilliantly. Drainpipe jeans, jumping scissor kicks, a drummer who
spends more time standing on his stool than sitting on it, and a
guitarist who can do that thing when you lie on your side and then
run, thus causing your body to rotate with your shoulder as a pivot
- if you see what I mean; all essential rock'n'roll credentials.
Oh yeah, and they write damn fine songs too. Their next single You
Were Always The One sounded good on the night, but their live show
needs a bit of work. At times the performance was sloppy, which
may all be part of the punk ethic, but with a little tightening
up The Cribs should fulfil their potential.
10,000 Things are a whole other barrel of monkeys. I missed a large
portion of the set as I getting an interview
with The Cribs. But when you walk into a room to see a frontman
wearing a purple suit and leather trilby, out of his tree and dancing
like Elwood from The Blues Brothers - you take notice.
My immediate thought was to draw comparisons with The Fall - a post-punk
sound and a drunk singer - but there the comparison stopped. The
Cribs stand a better chance of success, but 10,000 Things could
cause the larger ripples.
Jon Raitt
Read an interview with the
band
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