Make Some Music
Laurence is a record marketing consultant, music adviser and manages film music composers Zbigniew Preisner and Jocelyn Pook.
He is also the publisher of the innovative CD book "Unknown Public".
Q1. Why is copyright so important to a music composer?
Copyright is the DNA of music activity. Copyright law however is like swimming in jelly.
Q2. As a composer where can I expect renumeration for my work?
There are seven principle revenue sources for you as a composer. If you are an artist/performer and composer/arranger you are in the best possible position for maximising your income.
Q3. What's the best way of presenting and packaging my work?
While there are no rules here but you should consider the following: legibility, readability, accuracy, no hype, some detail, and coloured packages.