A Point of View: Mourning the loss of the written word

Handwritten letter

The modernist writer Virginia Woolf called letter writing "the humane art, which owes its origins in the love of friends". In our frenetic world of electronic communication, we must remember to write with thought and consideration, says historian Lisa Jardine.

In these days of email, texts and instant messaging, I am not alone, I feel sure, in mourning the demise of the old-fashioned handwritten letter. Exchanges of letters capture nuances of shared thought and feeling to which their electronic replacements simply cannot do justice. Here's an example.

In July 1940, with the country at war, Virginia Woolf published a biography of the artist, Roger Fry - champion of post-impressionism and leading member of the Bloomsbury Group. The timing could hardly have been worse. Fry's reputation was as an ivory tower liberal who believed that art inhabits a self-contained formal space remote from the vulgar world. As France fell to Hitler's troops and German planes pounded the south coast of England with increasingly regular air-raids, such artistic idealism seemed at best out of touch, at worst irrelevant.

Most of Woolf's friends were politely positive about the book. But in early August she received a letter from Ben Nicolson, the 26-year-old art critic son of her close friend Vita Sackville-West, who was serving as a lance-bombardier in an anti-aircraft battery in Kent under the flight-path of the German bombers. As enemy warplanes passed low overhead, Nicolson attacked the adulatory tone of Woolf's biography and accused Fry of failing to engage with the political realities of the inter-war years.

"I am so struck by the fool's paradise in which he and his friends lived," Nicolson wrote. "He shut himself out from all disagreeable actualities and allowed the spirit of Nazism to grow without taking any steps to check it."

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  • Lisa Jardine is Centenary Professor of Renaissance Studies at Queen Mary, University of London

Woolf's answering letter did not mince words:

"Lord, I thought to myself," she wrote back. "Roger shut himself out from disagreeable actualities did he? What can Ben mean? Didn't he spend half his life travelling about England addressing masses of people who'd never looked at a picture and making them see what he saw? And wasn't that the best way of checking Nazism?"

Stung by Woolf's condescending tone, and unpersuaded by her argument, Nicolson wrote again, criticising Fry and the Bloomsbury Group in yet stronger terms. This time Woolf took his comments personally and drafted a lengthy, rebarbative reply, in which she turned Nicolson's attack on Fry and herself back on him. Nicolson's own chosen career as art critic was hardly more engaged: "I suppose I'm being obtuse but I can't find your answer in your letter, how it is that you are going to change the attitudes of the mass of people by remaining an art critic."

Reading over what she had written, however, Woolf thought better of her stern tone and did not send the letter. Instead, she rewrote it in more measured terms, moderating her sharp remarks with an opening apology. "I think it's extraordinarily nice of you to write to me," she now began, "I hope I didn't annoy you by what I said. It's very difficult when one writes letters in a hurry as I always do, not to make them sound abrupt."

It is this second version of the letter that was eventually dispatched, and which evidently satisfied its recipient, who called a truce on their differing views of Fry's influence and reputation. In early September, Woolf wrote to arrange for Nicolson to visit, adding: "I love getting your letters," and "I'm so happy you found the life of Roger Fry interesting as well as infuriating."

Two things strike me in this exchange. The first is the simple good manners both correspondents evidence in the way they address one another and present their arguments, in spite of the real, keenly felt differences of opinion.

Virginia Woolf Virginia Woolf understood the effects of letters written in haste

The second is the strikingly different outcome arrived at because Virginia Woolf restrained herself from dispatching her first, intemperate draft reply and carefully modified it so as not to hurt the feelings of the young man - a family friend, very much younger and less experienced than herself.

I have, of course, dwelt on this exchange for a purpose. In it, Woolf - using established letter-writing conventions - takes advantage of the time lapses between exchanges to recuperate, clarify, recast and take control of the argument. The result has the elegance of a formal dance - a kind of minuet, in which the participants advance and retreat according to well-understood rules, until they have arrived at a satisfactory outcome.

How unlike the rapid firing off and counter-fire of email messages in which many of us find ourselves engaged nowadays as our predominant means of communicating with colleagues and friends, and even with complete strangers. Each time I broadcast a Point of View, I receive large numbers of emails from people I have never met, while the script posted on the BBC magazine website generates hundreds of anonymous messages.

Very few of these observe the courtesies enshrined in traditional letter-writing. Many adopt a curiously curt tone: I have not consulted my sources correctly, they insist, or I have misled my listeners. "Call yourself a historian" is a regular, shrill opener - emails and posts have mostly dispensed with the niceties of "Dear Lisa" or "Yours sincerely."

Yet if I answer such an email - and I do try to respond to them all - the reply that follows will be couched in very different terms. It will be prefaced by the kind of placatory remark Woolf used in responding to Nicolson: "I did not mean to imply criticism" or "I hope you did not think me rude." It is as if between the first and the second response I have become a person - an actual recipient of the communication - rather than an impersonal post box. So the courtesy and simple good manners of more old-fashioned letter-forms are restored to our correspondence.

Sending an email Emails have replaced the handwritten letter

The most dramatic feature of electronic communication is surely its propensity to tempt us into dashing off a message in haste that we repent at leisure. As the emails ping into our inbox we answer them helter-skelter, breathlessly, without pausing to reflect on nuance or tone. As a consequence, misunderstandings often arise - "I'm sorry to have upset you," a colleague will reply to an email I intended as a matter-of-fact response to a bit of university business.

No doubt I am sentimentalising the orderliness of written letters by comparison with emails. When feelings run high, an ill-judged letter can cause as much emotional damage as any dashed-off online posting. Here's another example from Virginia Woolf's prolific correspondence.

In 1938, she wrote to Vita Sackville-West - with whom she had had a passionate affair in the late 1920s - refusing to read a poem Vita had sent her via Woolf's husband Leonard. Woolf was annoyed at hurtful remarks Vita had made about her:

"Leonard says you have sent a poem and would like to know what I think of it. Now I would like to read it and normally would fire off an opinion with my usual audacity. But I feel I can't read your poem impartially while your charges against me, as expressed in a letter I have somewhere but won't quote, remain unsubstantiated."

Vita Sackville-West Vita Sackville-West was 'horrified' by one of Woolf's letters

Vita was appalled. Her response was a frantic telegram: "Horrified by your letter." This in its turn elicited a further letter from Woolf the same day:

"What on earth can I have said in my letter to call forth your telegram? God knows. I scribbled it off in five minutes, never read it through, and can only remember that it was written in a vein of obvious humorous extravagance and in a tearing hurry."

Woolf explained that she had been annoyed by a letter Vita had sent shortly after publication of her last book. She had written back asking Vita to explain a comment she had made that "one moment you enchant with your lovely prose and the next moment exasperate one with your misleading arguments". What were the misleading arguments? Woolf had asked. Vita had not replied.

"It's a lesson not to write letters," Woolf now continued contritely. "For I suppose you'll say, when you read what I've quoted from your own letter, that there's nothing to cause even a momentary irritation. And I daresay you're right. So let us leave it: and I apologise and will never write a letter so carelessly again."

Virginia Woolf called letter-writing "the humane art, which owes its origins to the love of friends", and devoted a good deal of emotional energy to using it to maintain her friendships.

Today's electronic forms of communication may lack that emotional depth but they do enable us to connect more speedily and efficiently than I at least could manage with pen and ink. Still, when we take advantage of them, we ought always to heed Woolf's warning, never to write carelessly. And, if we can, at least count to 10, and read over what we have written, before we press "send".


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  • rate this

    Comment number 119.

    You have seen too many romantic films dear Lisa.

  • rate this

    Comment number 118.

    102. stevdk: grammar*

    also with regards to lots of people saying that young people can't spell etc. I think we need to look at the education system. When I was at primary school my parents went to a parents evening and saw some of my work and asked why my spelling mistakes hadn't been corrected... the answer was "because this piece of work was about content." The reason I can spell is my parents!

  • rate this

    Comment number 117.

    "Today's electronic forms of communication may lack emotional depth but they do enable us to connect more effectively than I could at least manage with pen and ink".
    Indeed! Is the writer so unobservant to the fact that no one writes with pen+ink nowadays? To write with a ball pen does not have the emotional depth of pen+ink. The resulting letter is even worse than electronic communication.

  • rate this

    Comment number 116.

    I made a comment earlier this week about how another user who called people 'sad' for choosing ebook readers over real books ought to sell his computer and write everything by hand and send it by post if he was so out of touch. It's amazing that, mere days later, this article would mirror my sarcasm.

    As long as you know how to spell, apply grammar and punctuate, there's no problem with typing.

  • rate this

    Comment number 115.

    Vita Sackville West and her contemporaries were all friends of Ellen Terry, the great Victorian actress who hand-wrote 30 letters every day.
    Many of her intimate letters were destroyed but very recently a 'lost' cache of letters to her from Sir Henry Irving prove that indeed they were lovers. Handwriting, spelling, individual styles of emphasis reveal so much that would be lost in emails.

  • rate this

    Comment number 114.

    Correspondence branch of Samaritans deals with letters from people who find their life has taken a turn from the worse.

    The numbers do not compare with the number of telephone calls but those who do write find it difficult, if not impossible to express their fears and feelings in a telephone conversation

  • rate this

    Comment number 113.

    Of course, speed of communication is quite often
    necessary and important.
    What has happened to the JOY of pen and ink ( or perhaps biro ) ?
    I distincly remember a book which fascinated me as a child. It was called ' MInd Your P's and Q's'. It was an insight into the character of a person detected by his or her formation of letters.
    Can't do this with e-mail !

  • rate this

    Comment number 112.

    What is particularly refreshing about this article is its relevance to today. Laziness in communication can breed misunderstanding. One needs to be aware that electronic communication merges old forms. Text messaging (and forum posts) can be similar to old-style memos and telegrams. Equally informal email can be like a personal note, but formal emails benefit from formal letter writing skills.

  • rate this

    Comment number 111.

    The loss of the written letter would be another nail in the coffin of society as writing would no longer have to be taught in the already broke schools of the world.

  • rate this

    Comment number 110.

    Sometimes e-mails instead of letters can be a Godsend. A friend of mine has very swirly, looped handwriting - visually stunning as he forms the letters using a fountain pen - but which is actually very difficult to decipher. I'm sometimes grateful for a typed page!

  • rate this

    Comment number 109.

    82.BMT - An - Alternative - View
    "The thing that drives me mad the most is the use of text speak in e-mails [....rant ... rant ...] .Its horrendous [... rant ... rant ...]"

    Bet u r gutted about that missing apostrophe :-)

  • rate this

    Comment number 108.

    Dear Lisa,
    I regularly send handwritten letters to my friends and have done so for years. I also e-mail people in the course of my job. I write e-mails as if they were letters, beginning "Dear so-and-so", and usually ending "thank you," and then my name. I re-read any correspondence before I send it, thank you, Jane.

  • rate this

    Comment number 107.

    Email is as stones clattering in surf and has much the same effect on life. Silicon LIVES in diatoms, algae, sponges and corals. Letters in living hands can advance and withdraw in the dance of evolution while delicately communicating the real depth of life. Machines are still clumsy and harsh. It will be centuries before machines delicately communicate the energy of our living human species.

  • rate this

    Comment number 106.

    93 Max If you are going to have a pop at someone elses mastering of the English language, try to ensure your own is beyond reproach.

  • rate this

    Comment number 105.

    The art of letter writing has not been forgotten. I'm 28 and have had "pen pals" since i was 8 years and still have a number. If I have 10, and each my my pals has 10 then there's still hundreds of thousands of letter writers still alive and well. We all also frequent websites such as postcrossing.com so we can send postcards. Real post is alive and well and not just with the elderly (i'm 28)

  • rate this

    Comment number 104.

    "the love of friends" - this hit home perfectly. I'm a young adult and since I left University in December I have a few friends who I've drawn into exchanging letters with me as a means of communication between us and the aforementioned statement is exactly why. The fact there is a very short character limit on this post reiterates the point of the article. Forced short message = poor effort.

  • rate this

    Comment number 103.

    Dear Lisa
    They were breath-takingly patronising, weren't they?
    Two of Woolf's phrases jump out and bite - 'going to change the attitudes of the mass of people' and 'make them see what he saw'.
    We great unwashed need enlightening by the already-enlightened, the spontaneously-enlightened, the great and the good.
    Oh dear. I'm going for walk in the snow to cool down.
    Best wishes,

  • rate this

    Comment number 102.

    E-mails that are so badly written, I send them back with corrections, and those that contain such as "b4" are not replied to at all, I also accept it when people correct me, that way both my grammer and education is improved. Sms and e-mails are not personal, you just don't get that feeling, that is, that the paper has been "touched" by the sender, so there is no personal connection to the sender.

  • rate this

    Comment number 101.

    i mourned the loss of the cave drawing in a similar fashion when it passed.

  • rate this

    Comment number 100.

    Antidisestablishmentarianism. "Paperless in service but happy in retirement" went the slogan. Dual provision for paper rights in the constitution of their brave new world. It kept .Gov's scanning division busy. Polled every night, all but war declared the next day. My pen literally shook with excitement as I filled out my 99 page annual vote return. Tick YES box; bring parliament back, it says.


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