Turner at Tate
Rivals in life, two of Britain's greatest painters Turner and Constable, are the subjects of major exhibitions in London.
The general consensus was that Turner had lost his marbles. Old age had addled his brain, leaving him incapacitated as a painter: a past master who was now only capable of splashing paint on a canvas in the most indiscriminate fashion.
That was the view in 1840, but not today. In 2014, the late works of Joseph Mallord William Turner are considered to be among his very best. The expressive brushwork, colour harmonies, dazzling light affects, and almost complete lack of pictorial detail is now seen as not only a pre-cursor to French Impressionism, but also to American Abstract Expressionism.
Turner is presented not as an old master, but a modern one: a radical innovator, who cared little for rules, and not a jot for the establishment. To re-enforce the point the notoriously avant-garde annual Turner Prize is named after the cockney colourist.
The truth is more subtle. Turner was a Romantic painter, who cared as much for words as he did for images. Many of his works are accompanied by texts or poems, either written by himself or those he admired. He was in many ways conservative, and nostalgic.
Carmen Dell'Orefice: model, muse and memorable handshake
As first impressions go, it was an odd one. I've experienced numerous handshakes over the years, from the 'damp rag' to the 'bone crusher', but I've never had the 'forearm grip' before. It was disconcerting.
Roald Dahl: Charlie and the missing chapters
In the 50 years since Roald Dahl wrote the children's classic Charlie and the Chocolate Factory, the book's characters have become household names but it turns out they were only part of the original story.
The discovery of new unpublished chapters reveals Dahl had intended to include more children lucky enough to win the golden ticket and meet Willy Wonka.
Kate Bush still wows fans after 35 year live break
Fans have greeted singer Kate Bush with huge cheers at London's Hammersmith Apollo as she began her first concert in 35 years, kicking off a run of 22 shows which sold out in minutes.
The west London venue was the scene of her last live appearance in 1979.
The photocall of the shortlisted comedians for this year's Foster's Edinburgh Comedy Awards - Best Show and Best Newcomer - could be seen as evidence of the sort of political correctness at which most of the selected acts spend their professional lives poking fun.
There, for us all to see, is a wholesome picture of equality between the sexes with an exact 50/50 split between male and female performers. It is an equality that's reflected in the make up of the judging panel, which is also neatly split 50/50 (although the Chair is a man and has the casting vote in the shortlist stage).
Simon Callow's critical re-appraisal
When Simon Callow first presented his one-man show Juvenalia nearly forty years ago at the Bush Theatre in London, the then 27-year old actor found he had a surprise hit on his hands. Critics and audiences loved it, he said yesterday at an event in the BBC's Potterrow tent in Edinburgh.
He has since become a specialist at the theatrical essay-cum-performance lecture, presenting around thirty different productions over the course of his career. Shakespeare, Dickens and Mozart have all been brought enthusiastically back to life by Callow's dramatic storytelling.
Mackenzie Crook unearths metal detector sitcom
Mackenzie Crook is best known for his roles in The Office, Pirates of the Caribbean and Game of Thrones. He has now written and directed a BBC Four sitcom about metal detector enthusiasts, which was screened in Edinburgh on Monday.
When Mackenzie Crook was filming Almost Human in Vancouver last year, he found he had too much time on his hands.
Can Malevich's Black Square be considered art?
The divisive painting Black Square is to go on show at the Tate Modern as part of an exhibition on Russian modernist painter Kazimir Malevich.
The work, a square of black oil paint on a white canvas, was first exhibited in 1915.
Damien Hirst wallpaper art causes sale dispute
When Jess Simpson bought a house in London nearly ten years ago she was told that a painting on the wallpaper was by Damian Hirst.
She decided to frame it and now she wants to sell it. She has been talking to me about why Hirst's representatives are now demanding the piece is not sold.