Zoe & Idris Rahman Where Rivers Meet Review

Album. Released 2008.  

BBC Review

You may find yourself liking it a whole lot more than you'd expected.

Jon Lusk 2008

How much do we know about Bengali music? Not much, considering the fact that this area straddling India and Bangladesh has a greater population than Brazil. Bengal's best-known musical tradition is that of the Bauls, a non-conformist mystical brotherhood and a local form of Sufism. One of their champions was Rabindranath Tagore, the Nobel prize-winning Bengali poet and songwriter whose work was incorporated into their music. He's one of the artists whose work is interpreted here by Zoe Rahman (piano) and her brother Idris (clarinet/flute), UK musicians of Bengali descent who are both veterans of the world fusion outfit, Soothsayers.

Where Rivers Meet is a gently flowing jazz-inspired album, two thirds of which is instrumental, although judging by the titles, maybe a few more of the pieces once had texts. Apart from the occasional burp and flutter of Kuljit Bhamra’s tabla, the arrangements and style of playing (with Zoe's melodic lines shadowed and echoed by clarinet) most closely resemble those on Payanir, the wonderful 2005 album by Turkish pianist Ayse Tütüncu.

After a placid opening, things get a bit stormier with the arrival of drummer Gene Calderazzo on Sanctuary, which also features the folky tones of violinist Samy Bishai and beautiful trickling effects by Zoe Rahman. The mood alters again on Betrayed, when Bengali vocal star Arnob starts crooning. Pilgrim's Song has smouldering percussive atmospherics with evocative hums and non-verbal vocalisations, while Tagore's closing song Do You Wish To Forget? sounds like a philosophical Bengali makeover of the Scottish folk song Auld Lang Syne, sung as a rather sweet lullaby.

This is pensive, late night listening. Zoe Rahman’s light touch is a delight throughout, while her brother switches between clarinet and bass clarinet to good effect, and Oli Hayhurst adds the booming resonance of double bass in places. At first the singers are slightly intrusive, but they make sense after a couple of listens. It's a slow grower, and a modest rather towering achievement, but give its gentle charms a chance and you may find yourself liking it a whole lot more than you'd expected.

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