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The Phenomenal Handclap Band The Phenomenal Handclap Band Review

Album. Released 6 July 2009. Discography information comes from MusicBrainz. You can add or edit information about The Phenomenal Handclap Band at musicbrainz.org.

BBC Review

Unremarkable psychedelic retro soul from New York.

Chris Power 2009-06-29

Formed in New York by DJs Daniel Collás and Sean Marquand, The Phenomenal Handclap Band is aiming for a sound approximating Rare Earth, the hugely successful Motown act that straddled the divide between post-psychedelic rock 'n' roll and funk in the early 1970s. Falling well short of this, however, they wind up in the same benighted funk-pop territory as Norman Cook's unmourned acid jazz outfit Freak Power.

Even with support from TV on the Radio – drummer Jaleel Bunton plays guitar on Testimony – The Phenomenal Handclap Band's eponymous debut remains stolidly unimpressive for its entire duration (an hour, but it feels more like eight). From the ponderous opening instrumental The Journey to Serra Da Estrela, through to the cheesy electro funk of All of the Above and the horn-led sub-Al Green manoeuvres of Baby, this is an album that suggests its creators have great record collections, but crucially lack the ability to convert good taste in other people's music into decent compositions of their own.

Pre-release buzz around the album focused on the single 15 To 20, with its infectious playground-style vocal. Even the catchiness of this track, though, has an annoying element to it, with Lady Tigra's almost apologetically rapped verses carrying a ripe whiff of Len's 1999 hit Steal My Sunshine. The scuzzy organ and low-slung bassline of closing track The Circle is Broken begins to head somewhere purposeful, but is betrayed by a lacklustre vocal that robs it of its power.

Considering the amount of people roped in to help record this album – members of Calla, Moony Suzuki, Sí Se, Amy Winehouse's backing band and the aforementioned TV on the Radio and vintage Miami bass duo L'Trimm – perhaps it's a case of too many cooks. If you were feeling maniacally generous it could be claimed that Dim The Lights settles into a passable glam rock groove and that the drumming throughout has a pleasing funky solidity to it, but even then you'd have to conclude that most of this album is dross. Listen to Rare Earth's Get Ready and Shuggie Otis's Inspiration Information and you'll hear much of what's attempted here done many, many times better.

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    • 1. At 3:30pm on 06 Jul 2009, pinup2 wrote:

      well Chris, our office unanimously likes this album - no mean feat - so i think you're more than a little harsh in dismissing it as dross.

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    • 2. At 4:05pm on 06 Jul 2009, chrisjohnpower wrote:

      I'm very happy for your intra-office accord, @pinup2. I was hoping for something more than OK background music, though.

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    • 3. At 00:49am on 09 Jul 2009, imperialgroovygal wrote:

      You've got to be kidding me, Chris. Did you actually LISTEN to the album?

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    • 4. At 05:35am on 09 Jul 2009, SlowMoJmo wrote:

      This album is really good. Loved it. Even better live. About Power's review- a well constructed (although bitchy, jesus) takedown of the band's press release or whatever- except for the small fact that the songs are actually pretty killer.

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    • 5. At 11:28am on 11 Jul 2009, chrisjohnpower wrote:

      @imperialgoorvygal: No, I'm not. Yes, several times.

      @SlowMoJo: there's a popular and extremely hoary straw man argument about reviewers not listening to the albums they review and just regurgitating the press release (although in your version I'm *slagging off* the press release). I'd ask you to cite some examples to back up your charge, but we both know you can't. It's a lazy and casual accusation, which is exactly what I try and avoid when reviewing.

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