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Ellie Goulding Halcyon Review

Album. Released 2012.  

BBC Review

The pop shape-shifter’s second LP is a little heavy-handed of production.

Ben Hewitt 2012

Ellie Goulding's been a shape-shifter long before she started experimenting with radical coiffures to match the style of her dubstep beau, Skrillex. Since bagging the BRIT Awards’ Critics Choice in 2010, she's flummoxed the lot of us by refusing to stick in one spot. Witness the transition from the sparkly pop of her debut album, 2010's Lights, to that soppy, saccharine cover of Elton John's Your Song.

It's little wonder, then, that Halcyon finds her in metamorphosis again. Gone is the perky hybrid of electro-folk pop that illuminated Lights, as opener Don't Say a Word lays out a fine manifesto for change. It sees Ellie throwing herself at a would-be-lover's feet, riding a crest of choral chanting and gloomy soundscapes before the whole thing explodes in a burst of shooting stars.

While there are ample bangers – Anything Can Happen boasts spurting synths and a sky-kissing chorus – there's electro-ballad finery, too. Joy is a string-laden affair that showcases her helium-powered pipes, while I Know You Care sees her try to convince someone – us, her lover, herself – that they have something worth salvaging: "I know it wasn't always wrong / But I've never known a winter so cold."

What scuppers Halcyon, though, is the sense that Ellie's still not nailed down her own identity. There's just too much bombast, and the magpie-like-production and big, booming arrangements swaddle rather than swathe her vocals. Far from showing off her talents, the likes of Figure 8 and Atlantis become bottomless pits filled with heavy-handed knob-twiddling.

Most frustrating of all, perhaps, is the "bonus track" collaboration with Calvin Harris, I Need Your Love. It's a tantalising glimpse of what she could be capable of when her voice isn't submerged – and, ironically for a track she can only claim half-ownership of, it's got a swagger and bounce that feels resolutely more "her" than when she's playing gloomy dress-up.

As a second coming, Halcyon shows Goulding’s not wanting in ambition, or incapable of conjuring up the odd bit of magic. But next time, she needs to make sure she's a bit choosier about what exactly she pours into the cauldron.

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