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Welsh outfit releases one of 2012’s most resounding debuts.
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Caribou’s Dan Snaith’s purest transition to the dancefloor yet.
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Monster tunes to be cranked out at the volume they deserve.
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A stellar compilation prioritising song selection over DJ showmanship.
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Every track’s an anthem, every second precious, on this breathless new album.
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A sleek synthetic sound driven by a heart of human loneliness and longing.
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A great third LP which sounds like the work of a band hitting its peak.
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A journey through the introspective and the bombastic, the striving and the exhaustive.
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An album of fire, spirit and sweat – and sometimes that’s all you need.
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Album three finds the Swedish electo-indie quartet rightfully breaking the mainstream.
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Electro duo serves up welcomed familiarity, received without contempt.
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Moffat’s characteristic honesty and intensity combines with Wells’ tender compositions.
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Warm, wistful and nostalgic without ever coming on too maudlin.
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Album three from the Brighton sextet treads a similar stylistic path to previous LPs.
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Doing things their own way for 10 albums, Deerhoof’s latest is typically eccentric.
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An immediate delight that set the quintessential tone for Fatboy’s future.
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Shifting, shimmering mini-scores wracked with emotional subtlety and unexpected warmth.
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A collation and culmination of their finest work in years.
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Seamless and polished, unhurried and wonderful, sparkling with a new-found black beauty.
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Heaves with their established mysticism but takes proceedings to a new plateau.
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They’ve found a renewed clarity to go with their lozenge-smooth lethargy.
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Emerges from the swampland armed with an acoustic, and desire in its belly.
