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The Ayrshire trio serves up some stunningly heavy guitar pop on album four.
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Pretty electro from Glasgow which suffers from stunted imagination.
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The Scots' second LP glides upon thermals of synths, guitars and strings.
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Subtle but memorable songs, seeped in monochrome, fill the Londoners’ debut for Sub Pop.
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A smeared glow of echoes, with an intimate understanding of accidental melodies.
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A complete absence of originality spoils this set from the Brooklyn four-piece.
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A blur of arpeggios, distortion and echo on the Brooklyn act’s third LP.
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Perfectly accessible gems from one Futurehead and a Golden Virgin.
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ASIWYFA prove that the loud and voiceless do not have to sound ineloquent.
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San Francisco duo print starlit patterns of sound upon your ears.
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Variety’s at a premium, but this is a direct and playful debut from the northern rockers.
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Expertly blends heavy rock and smoky blues across tantalisingly layered songs.
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An absorbing reinvention of the Brooklyn band’s celebrated recent long-player.
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The Sheffield glitch-rock quartet’s fourth album is deliriously exhilarating.
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Reminds us that pop and dance music can be subversive without foregoing accessibility.
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A unique attempt at a self-confessed 'dance record'.
