Johann Joseph Fux
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Johann Joseph Fux Johann Joseph Fux Johann Joseph Fux Johann Joseph Fux

Biography

Johann Joseph Fux (c. 1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era. He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become ...

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Biography

Johann Joseph Fux (c. 1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era. He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become the single most influential book on the Palestrinian style of Renaissance polyphony. Almost all modern courses on Renaissance counterpoint, a mainstay of college music curricula, are indebted in some degree to this work by Fux.

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Johann Joseph Fux
Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major
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Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major
Johann Joseph Fux
Fux: Turcaria
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Fux: Turcaria Fux: Turcaria Fux: Turcaria Fux: Turcaria
Ensemble Tourbillon, Petr Wagner, Johann Joseph Fux & Hana Blažíková
So' che piace, from Il Fonte della Salute aperto
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So' che piace, from Il Fonte della Salute aperto So' che piace, from Il Fonte della Salute aperto So' che piace, from Il Fonte della Salute aperto So' che piace, from Il Fonte della Salute aperto
Johann Joseph Fux
Canon, for two violas da gamba and basso continuo
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Canon, for two violas da gamba and basso continuo Canon, for two violas da gamba and basso continuo Canon, for two violas da gamba and basso continuo Canon, for two violas da gamba and basso continuo
Johann Joseph Fux
Sento nell core, from La decima fatica d´Ercole ovvero la sconfitta di Gerione
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Sento nell core, from La decima fatica d´Ercole ovvero la sconfitta di Gerione Sento nell core, from La decima fatica d´Ercole ovvero la sconfitta di Gerione Sento nell core, from La decima fatica d´Ercole ovvero la sconfitta di Gerione Sento nell core, from La decima fatica d´Ercole ovvero la sconfitta di Gerione
Johann Joseph Fux
Lascio d´esser Ninfa, from Dafne in lauro
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Lascio d´esser Ninfa, from Dafne in lauro Lascio d´esser Ninfa, from Dafne in lauro Lascio d´esser Ninfa, from Dafne in lauro Lascio d´esser Ninfa, from Dafne in lauro
Johann Joseph Fux
Turcaria - Eine musikalische Beschreibung
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Turcaria - Eine musikalische Beschreibung Turcaria - Eine musikalische Beschreibung Turcaria - Eine musikalische Beschreibung Turcaria - Eine musikalische Beschreibung
Johann Joseph Fux
Laudate Dominum
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Laudate Dominum Laudate Dominum Laudate Dominum Laudate Dominum
Johann Joseph Fux
Il mese di Marzo consacrato a Marte: Non Sdegnar (aria)
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Il mese di Marzo consacrato a Marte: Non Sdegnar (aria) Il mese di Marzo consacrato a Marte: Non Sdegnar (aria) Il mese di Marzo consacrato a Marte: Non Sdegnar (aria) Il mese di Marzo consacrato a Marte: Non Sdegnar (aria)
Johann Joseph Fux
Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major
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Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major Rondeau a 7 for bassoon, violino piccolo, strings & bc in C major
Johann Joseph Fux
Ouverture a 7
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Ouverture a 7 Ouverture a 7 Ouverture a 7 Ouverture a 7
Johann Joseph Fux
Overture a 7 in D minor
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Overture a 7 in D minor Overture a 7 in D minor Overture a 7 in D minor Overture a 7 in D minor
Johann Joseph Fux
Overture à 7 in D minor: Overture
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Overture à 7 in D minor: Overture Overture à 7 in D minor: Overture Overture à 7 in D minor: Overture Overture à 7 in D minor: Overture
Johann Joseph Fux
Rondeau a 7 for bassoon, violino piccolo, strings & basso continuo in C major
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Rondeau a 7 for bassoon, violino piccolo, strings & basso continuo in C major Rondeau a 7 for bassoon, violino piccolo, strings & basso continuo in C major Rondeau a 7 for bassoon, violino piccolo, strings & basso continuo in C major Rondeau a 7 for bassoon, violino piccolo, strings & basso continuo in C major
Johann Joseph Fux
Ouverture in D minor N4
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Ouverture in D minor N4 Ouverture in D minor N4 Ouverture in D minor N4 Ouverture in D minor N4
Johann Joseph Fux
Rondeau a 7
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Rondeau a 7 Rondeau a 7 Rondeau a 7 Rondeau a 7
Johann Joseph Fux
Rondeau a 7 (violin piccolo, bassoon, violin, 3 violas and basso continuo)
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Rondeau a 7 (violin piccolo, bassoon, violin, 3 violas and basso continuo) Rondeau a 7 (violin piccolo, bassoon, violin, 3 violas and basso continuo) Rondeau a 7 (violin piccolo, bassoon, violin, 3 violas and basso continuo) Rondeau a 7 (violin piccolo, bassoon, violin, 3 violas and basso continuo)
Johann Joseph Fux
Bourrées 1 & 2 & Menuet (from Concentus Musico instrumentalis)
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Bourrées 1 & 2 & Menuet (from Concentus Musico instrumentalis) Bourrées 1 & 2 & Menuet (from Concentus Musico instrumentalis) Bourrées 1 & 2 & Menuet (from Concentus Musico instrumentalis) Bourrées 1 & 2 & Menuet (from Concentus Musico instrumentalis)
Johann Joseph Fux
Alma Redemptoris Mater, K.186
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Alma Redemptoris Mater, K.186 Alma Redemptoris Mater, K.186 Alma Redemptoris Mater, K.186 Alma Redemptoris Mater, K.186
Johann Joseph Fux
Concerto "Le dolcezze e l'amerezze della notte"
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Concerto "Le dolcezze e l'amerezze della notte" Concerto "Le dolcezze e l'amerezze della notte" Concerto "Le dolcezze e l'amerezze della notte" Concerto "Le dolcezze e l'amerezze della notte"
Johann Joseph Fux
Canzon a 3, K.329: IV – "Libertino"
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Canzon a 3, K.329: IV – "Libertino" Canzon a 3, K.329: IV – "Libertino" Canzon a 3, K.329: IV – "Libertino" Canzon a 3, K.329: IV – "Libertino"
Johann Joseph Fux
Ouverture in D: Pour le Rosignol
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Ouverture in D: Pour le Rosignol Ouverture in D: Pour le Rosignol Ouverture in D: Pour le Rosignol Ouverture in D: Pour le Rosignol
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Biography

Johann Joseph Fux (c. 1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era. He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become the single most influential book on the Palestrinian style of Renaissance polyphony. Almost all modern courses on Renaissance counterpoint, a mainstay of college music curricula, are indebted in some degree to this work by Fux.

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