Kanda Bongo Man
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1955
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Kanda Bongo Man Kanda Bongo Man Kanda Bongo Man Kanda Bongo Man

Biography

Kanda Bongo Man (born 1955 in Inongo, Democratic Republic of the Congo) is a Congolese soukous musician. Kanda Bongo Man became the singer for Orchestra Belle Mambo in 1973, developing a sound influenced by Tabu Ley. His solo career only started ...

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Biography

Kanda Bongo Man (born 1955 in Inongo, Democratic Republic of the Congo) is a Congolese soukous musician.

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Kanda Bongo Man
Billil (Radio 1 Session, 16 Jun 1993)
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Billil (Radio 1 Session, 16 Jun 1993) Billil (Radio 1 Session, 16 Jun 1993) Billil (Radio 1 Session, 16 Jun 1993) Billil (Radio 1 Session, 16 Jun 1993)
Kanda Bongo Man
Lela Lela (Radio 1 Session, 16 Jun 1993)
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Lela Lela (Radio 1 Session, 16 Jun 1993) Lela Lela (Radio 1 Session, 16 Jun 1993) Lela Lela (Radio 1 Session, 16 Jun 1993) Lela Lela (Radio 1 Session, 16 Jun 1993)
Kanda Bongo Man
Malinga
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Malinga Malinga Malinga Malinga
Kanda Bongo Man
Belle Amie
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Belle Amie Belle Amie Belle Amie Belle Amie
Kanda Bongo Man
Zebola Man
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Zebola Man Zebola Man Zebola Man Zebola Man
Kanda Bongo Man
Muchana
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Muchana Muchana Muchana Muchana
Kanda Bongo Man
Yesu Christu
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Yesu Christu Yesu Christu Yesu Christu Yesu Christu
Kanda Bongo Man
Amour Perdu
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Amour Perdu Amour Perdu Amour Perdu Amour Perdu
Kanda Bongo Man
Bayembi
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Bayembi Bayembi Bayembi Bayembi
Kanda Bongo Man
Bedy
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Bedy Bedy Bedy Bedy
Kanda Bongo Man
Sai
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Sai Sai Sai Sai
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Biography

Kanda Bongo Man (born 1955 in Inongo, Democratic Republic of the Congo) is a Congolese soukous musician.

Kanda Bongo Man became the singer for Orchestra Belle Mambo in 1973, developing a sound influenced by Tabu Ley. His solo career only started to take off after moving to Paris in 1979, where his music started to incorporate elements of then-vibrant zouk music (originating in the French West Indies). His first solo albums, "Iyole" in 1981 and "Djessy" in 1982, were hits.

He is known for the structural changes he implemented to soukous music. The previous approach was to sing several verses and have one guitar solo at the end of the song. Kanda Bongo Man revolutionized soukous by encouraging guitar solos after every verse and even sometimes at the beginning of the song. His form of soukous gave birth to the kwassa kwassa dance rhythm where the hips move back and forth while the hands move to follow the hips.

Like many African rumba and soukous musicians before him, Kanda Bongo Man also had an entourage of musicians. Many of Kanda's musicians later moved on to start their own solo careers. Most notable of these was Diblo Dibala. Known as "Machine Gun", Diblo Dibala was a vital part of Kanda Bongo Man's lineup on several albums, including "Kwasa Kwasa" and "Amour Fou".

This entry is from Wikipedia, the user-contributed encyclopedia.It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. If you find the biography content factually incorrect or highly offensive you can edit this article at wikipedia. Find out more about our use of this data.
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