Charlemagne Palestine
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1945-08-15
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Charlemagne Palestine

Biography

Charlemagne Palestine (born Chaim Moshe Tzadik Palestine) is a performance artist from New York. Born in Brooklyn, New York in 1947, Palestine began by singing sacred Jewish music and studying accordion and piano. At the age of 12 he started playing ...

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Biography

Charlemagne Palestine (born Chaim Moshe Tzadik Palestine) is a performance artist from New York.

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Charlemagne Palestine Tracks

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Charlemagne Palestine
Strumming Music
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Strumming Music
Charlemagne Palestine / Thurston Moore, Charlemagne Palestine & Thurston Moore
Wow Zow In the Now
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Wow Zow In the Now

Wow Zow In the Now

Performer
Charlemagne Palestine / Thurston Moore, Charlemagne Palestine & Thurston Moore
Charlemagne Palestine
Strumming Music [extract]
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Strumming Music [extract]
Charlemagne Palestine
Solo C#1
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Solo C#1
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Charlemagne Palestine Biography

Charlemagne Palestine (born Chaim Moshe Tzadik Palestine) is a performance artist from New York.

Born in Brooklyn, New York in 1947, Palestine began by singing sacred Jewish music and studying accordion and piano. At the age of 12 he started playing backup conga and bongo drums for Alan Ginsberg, Gregory Corso, Kenneth Anger, and Tiny Tim. From 1962–69 Palestine was daily carillonneur for the Saint Thomas Episcopal Church in Manhattan, eventually creating a piece that consisted of 1,500 15 minute performances.

From 1968-72, Palestine studied vocal interpretation with Pandit Pran Nath, experimented on kinetic light sculptures with Len Lye, composed music for Tony and Beverly Conrad’s film "Coming Attractions," taught at Cal Arts with Morton Subotnick, created the sound and movement piece Illuminations with Simone Forti, and developed his own alternative synthesizer, The Spectral Continuum Drone Machine. Throughout the seventies Palestine created records, videos, sculptural objects, abstract expressionist visual scores and performed regularly in the company of his stuffed animals. From 1980 to 1995 Palestine performed only rarely, exhibiting instead at Stedelijk Museum, Amsterdam, the Moderna Museet, Stockholm, and in documenta 8. During that time he also founded the Ethnology Cinema Project in New York, which is dedicated to preserving films that document disappearing traditional cultures.

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