David Cunningham (b. 1954, Ireland ) is a musician and producer who lives and works in London. Cunningham's work has ranged from pop music to gallery installations, including work for television, film, contemporary dance, and a number of collaborations with visual artists. His first significant success came with The Flying Lizards' single 'Money', an international hit in 1979.
Since 1993 he has created a continuing series of installation works based on real time exploration of acoustics. 'The Listening Room', Biennale of Sydney (1998) was followed by two installation works in "Days Like These", The Tate Triennial of Contemporary British Art, Tate Britain 2003 and subsequent installations at ICC Tokyo, Ikon Birmingham and Camden Arts Centre London.
Following his first album release 'Grey Scale' in 1977 he has worked as a composer and record producer; engaging with a range of people and music, from rock groups (This Heat, Martin Creed) to improvisors (David Toop, and Steve Beresford), to Michael Nyman's music for Peter Greenaway's films, plus work with Ute Lemper and others. More recently he has produced Joanne Robertson's 'The Lighter', released 'One Hundred' (Staubgold 2009), a collaboration with saxophonist Yasuaki Shimizu and curated 'A lot of pianos...', a performance of seven new compositions for up to 20 pianos.