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Massive Attack

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Group. Formed 1987.

Massive Attack Massive Attack.

Biography

Massive Attack are a British music duo from Bristol, UK, widely considered to be progenitors of the genre known as trip hop. Originally, DJ's Grantley (Grant) Marshall (Daddy G), Andrew Vowles (Mushroom) and painter-turned-MC Robert Del Naja (3D) met as members of The Wild Bunch, one of the first sound system collectives in Britain and a dominant force in the early 1980s Bristolian club scene. Starting out as a production trio in 1988, with their independently-released song, "Any Love", sung by falsetto-voiced singer-songwriter Carlton McCarthy, they later signed to Circa Records, in 1990. Circa became a subsidiary of (and was later subsumed by) Virgin Records, which in turn was acquired by EMI.

Some of their most noted songs have been without choruses and have featured dramatically atmospheric dynamics, conveyed through either epic distorted guitar crescendos, lavish orchestral arrangements (like swelling, sustained strings or flourishes of grand piano) or prominent, looped/shifting basslines, often underpinned by high and exacting production values, involving sometimes painstaking digital editing and mixing. The pace of their music has often been slower than prevalent British dance music at the time. These and other psychedelic, soundtrack-like and DJist sonic techniques, formed a much-emulated style journalists began to dub "trip hop" from the mid-nineties onwards, though in an interview in 2006, G said, "'We used to hate that terminology [trip-hop] so bad,' (laughs) 'You know, as far we were concerned, Massive Attack music was unique, so to put it in a box was to pigeonhole it and to say, "Right, we know where you guys are coming from."'"

Their debut album, Blue Lines (1991), was co-produced by Jonny Dollar and Cameron McVey, who also became their first manager. Geoff Barrow, who went on to form Portishead, was a tea-boy and tape operator at Bristol's Coach House studio when the album was recorded. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry provided key financial support and other help to the careers of Massive Attack, Portishead and Tricky during this period, paying wages to them through their 'Cherry Bear Organisation'. Massive Attack went on to critical acclaim for their ever-changing line-up of distinctive, often 'ethereal' or whispery guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own, similarly hushed, sprechgesang stylings, on top of, what became regarded as, quintessentially British, creative sampling production; a trademark sound that fused down-tempo hip hop, soul, reggae and other eclectic references, musical and lyrical.

With the coffee-table chill-out of Protection in 1994, a rather heavier, guitar-upgraded Mezzanine in 1998, and then the denser, more clinical soundscaping of Robert Del Naja's essentially solo 100th Window in 2003, Massive's overall sound grew persistently more experimental and melancholy, having a greater degree of gothic post-punk texture and moodily cinematic electronica integrated into it. The band became known for often not being able to easily get along with one another and working increasingly separately. Andrew Vowles, aka Mushroom, reluctantly and acrimoniously left Massive Attack altogether in late 1999, at the behest of his colleagues. Daddy G had also effectively left by 2001, but returned to a studio role with greater commitment in 2005, having joined the touring line-up of 2003/4, though he did not produce "Live With Me", with Terry Callier, the one new track from [Disc 1 of] 2006's Collected. A record label, Melankolic, was started back in 1995 (as an imprint of Virgin [EMI]), but folded after 2002. Over the decades, the Bristol collective have collaborated with Neneh Cherry, Madonna, David Bowie, Mos Def and Sinéad O'Connor amongst many others. Roots reggae veteran, Horace Andy has featured on all of their studio LP's. Currently, producer Neil Davidge and Massive Attack spend time in Del Naja and Davidge's 100 Suns studio, in Bristol, working to finish their, as yet untitled, long-awaited, fifth studio album, which is now not expected to be released until sometime in the next decade.

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BBC Reviews Really Simple Syndication

  1. Collected 2006

    Cover artwork of Collected

    Reviewed by Andrew McGregor

    This is a compilation to cherish - one where you can leave the skip button untouched.
  2. Unleashed: Original Soundtrack 2005

    Cover artwork of Unleashed: Original Soundtrack

    Reviewed by Morag Reavley

    ...it sounds truly contemporary and devoid of the usual soundtrack clichés.
  3. 100th Window 2003

    Cover artwork of 100th Window

    Reviewed by Andy Puleston

    Disappointing fourth studio album from the supposed musical innovators. Full of...
  4. Mezzanine 1998

    Cover artwork of Mezzanine

    Reviewed by Chris Jones

    It's the dark heart of their back catalogue.

Credits

Role Artist Release
Programming Massive Attack vs. Mad Professor No Protection (1995)
Credits comes from MusicBrainz. You can add or edit information about Massive Attack at musicbrainz.org. Find out more about our use of this data .

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