Marcin Mielczewski
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Marcin Mielczewski Marcin Mielczewski Marcin Mielczewski Marcin Mielczewski

Biography

Marcin Mielczewski (c. 1600 – September 1651) was, together with his tutor Franciszek Lilius and Bartłomiej Pękiel, among the most notable Polish composers in the 17th century. By 1632 he was a composer and musician in the royal chapel in Warsaw. ...

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Teresa Kaminska, Arek Golinski, Dymitr Olszewski, Marek Toporowski, Marcin Mielczewski, Concerto Polacco Baroque Orchestra, Marek Toporowski & Miroslaw Borczynski
Deus in nomine tuo - Psalmkonzert for bass, 2 violins, cello and continuo
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Deus in nomine tuo - Psalmkonzert for bass, 2 violins, cello and continuo Deus in nomine tuo - Psalmkonzert for bass, 2 violins, cello and continuo Deus in nomine tuo - Psalmkonzert for bass, 2 violins, cello and continuo Deus in nomine tuo - Psalmkonzert for bass, 2 violins, cello and continuo
Marcin Mielczewski
Triumphalis Dies (motet)
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Triumphalis Dies (motet) Triumphalis Dies (motet) Triumphalis Dies (motet) Triumphalis Dies (motet)
Marcin Mielczewski
Veni Domine - Geistliches Konzert for 2 sopranos, bass, and continuo
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Veni Domine - Geistliches Konzert for 2 sopranos, bass, and continuo Veni Domine - Geistliches Konzert for 2 sopranos, bass, and continuo Veni Domine - Geistliches Konzert for 2 sopranos, bass, and continuo Veni Domine - Geistliches Konzert for 2 sopranos, bass, and continuo
Marcin Mielczewski
Canzona for 2 violins
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Canzona for 2 violins Canzona for 2 violins Canzona for 2 violins Canzona for 2 violins
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Biography

Marcin Mielczewski (c. 1600 – September 1651) was, together with his tutor Franciszek Lilius and Bartłomiej Pękiel, among the most notable Polish composers in the 17th century.

By 1632 he was a composer and musician in the royal chapel in Warsaw. In 1645 he became director of music to Charles Ferdinand Vasa, the brother of King Władysław IV. Mielczewski died in Warsaw in September 1651.

His known works are largely in the concertato style, and Szweykowski suggests that the way "in which the words are given full expression" means he is likely to have composed secular vocal works in addition to the surviving sacred corpus. In his mass O glorioso domina and one of his instrumental canzonas, Mielczewski quotes popular Polish tunes; the latter is notable for being the earliest documented use of the mazurka in classical music.

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