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24:7 - Daisy Wang talks to Brendan Quinn
updated 16/07/04
Brendan Quinn

24:7's Daisy Wang meets Brendan Quinn, writer of Modern Ambergris.



Note:
Daisy Wang is a Press Assistant for the 24:7 theatre festival. Her views on these pages are not necessarily those of the BBC.

Brendan Quinn

As my first interviewee, Brendan Quinn, the writer of Modern Ambergris, was a little nervous. So was I. I even didn't know how to start our talk surrounded by the crazy noise of the road drills outside the window. That is the kind of modern living noise you have to accept. However, it gradually became easier when he talked about his writing life. He loves love, light, peace, and of course, theatre.

Theatre Background
Yes, I have been performing in amateur theatre since the age of 8. I have been involved in many, many shows since then, mostly with Tameside Youth Drama Group, which is where I met the rest of my cast. I have a degree from Leeds University with a minor in drama, film and television and have acted at the Edinburgh Fringe. I spent two years as a performer at the Granada Studios Tours (where I worked on the Sooty Show).

Present job
I work as a bookseller in a bookshop in Manchester.

Why did you start writing plays?
Because I liked it. I started out writing comedy sketches with my (then) best friend Richard Burns at 13 (mostly ripped-off Monty Python) and at age 16 I was inspired to write a one-act play for a competition as well as to help my English Language A-level (I was required to submit one piece of creative writing). Since then I have written two more one-act plays as well as a two-act musical (produced in 2000) and sundry other playlets, sketches and so on.

Is it your first play?
This is my fifth play actually, as well as the musical in 2000.

How did you find 247?
I saw it in City Life.

What is the play about?
It is a collection of sketches and monologues with the unifying theme of modern life. Culled from a variety of sources and discussions within the group, it focuses on particular attitudes and archetypes which have given us cause for thought.

What inspired you to write this play?
Desperation. From first hearing about 24:7 (in City Life) I found I had very little time to decide what the show would be and write the necessary amount for submission. It therefore contains many bits 'n' bobs written over the years, selected for their common link as well as a lot of new stuff.

Related to your life?
There is a part of the show in which I am alone simply talking to the audience about me and what I am.

Who is your writing model?
I do not have any particular model in mind when I write. However, if I were to name my influences, they would include: John Cleese & Graham Chapman (for inspiring me in the first place); Peter Cook and Douglas Adams (for showing that you can be intelligent and silly at the same time); Bill Hicks (for showing that you can be angry and principled and still be funny); Luigi Pirandello and Tom Stoppard (for showing that you make people think and f*** with their minds and still be entertaining); Dennis Potter (for showing how effectively you can use your own thoughts and feelings by simply being honest); David Renwick (for showing me the importance of planning in making a piece fall into place perfectly) ...and many, many more but I probably should stop now.

Did you find writing empowering?
Not really, but then I do not like power.

What do you want to do now?

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