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Hammersmith's
Lyric Theatre is one of London's most extraordinary hidden
treasures of theatrical architecture.
Housed
within an anonymous modern office building, entering the main auditorium
is Tardis-like: you leave the present and are thrust into the Victorian
past, which painstakingly recreates an 1895 theatre which was demolished
in 1972 but whose plasterwork was preserved and reinstated here
in 1979.
It
quickly put itself back on the map, with a series of shows - including
Noises Off - that premiered here before transferring to the
West End.
It
has now, under the rigorous artistic direction of Neil Bartlett,
gone on to develop its profile as one of London's most cutting-edge
venues, both with its own in-house shows or the visiting productions
it gives a home to, like Shockheaded Peter which was first
seen here.
New
season
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| Hans
Christian Anderson's The Red Shoes is part of the Lyric's autumn
season |
The
autumn season continues this trend, kicking off with Kneehigh Theatre
Company's acclaimed version of Hans Christian Andersen's The
Red Shoes (running now, to 5 October), and described as "theatre
for adults and brave children", and continuing with the London
premiere of visionary Canadian director Robert Lepage's latest
theatrical work, La Casa Azul, presented in a new English
translation by the Lyric's Neil Bartlett (11-26 October).
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| Frantic
Assembly's Peepshow |
Then
regular visitors Frantic Assembly offer Peepshow (6-23 November)
- described as "the story of seven little lives in one large
city", inspired by music videos - before Bartlett directs Tim
Pigott-Smith in A Christmas Carol (29 November-4 January).
The
Lyric also has a small, complementary modern studio that presents
a range of visiting companies, such as the current Post Office Theatre
production of Mother's Day (running to 28 September) and
Peepolykus in Ionesco's Rhinoceros (30 September to 19 October).
Riverside
Nearby,
on the other side of the giant Hammersmith roundabout and tucked
beside the river behind the gigantic Apollo concert venue (which
occasionally also hosts runs of musicals that don't quite make it
to the West End), is the Riverside Studios.
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| Hammersmith-bound:
Pete Postlethwaite |
This
used to be a more influential theatrical venue than it is now, but
still has a regular theatre programme that this week sees the return
of Pete Postlethwaite to the London stage in a one-man show,
Scaramouche Jones, written specially for him (running to
19 October).
Currently,
too, a festival called Out of Bosnia celebrates a range of
theatre, cinema and visual arts from that previously war-torn region,
running to 29 September.
In
late October, one of the companies who regularly make their home
here, Howard Barker's The Wrestling School, premiere Barker's
latest, Gertrude - the Cry from 22 October to 2 November.
The
Bush
Up
the street from Hammersmith to Shepherd's Bush, the tiny but highly
influential Bush Theatre continues to furrow the distinctive
and distinguished path of developing new writing it has pursued
for the last 30 years.
This
is where Jonathan Harvey's Beautiful Thing was first seen,
and from where earlier this year Richard Cameron's The Glee Club
transferred to the West End, too.
Currently
the Bush is hosting the London transfer of its Edinburgh co-production
of Anthony Neilson's Stitching (to 10 October), then will
premiere three full-length plays by first-time writers in a season
entitled Naked Talent, from 23 October to 21 December.
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