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The Euphor!um experience
'Opium goddesses' at Euphor!um
A very modern theatrical take on Samuel Taylor Coleridge's poem Kubla Khan
spacer Our critic Mark Shenton views a drug-inspired theatre piece without actors...

More theatre reviews begin here

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INSPIRATIONAL POEM

In Xanadu did Kubla Khan A stately pleasure-dome decree
Where Alph, the sacred river ran
Through caverns measureless to man Down to a sunless sea
So twice five miles of fertile ground
With walls and towers were girdled round
And there were gardens bright with sinuous rills Where blossomed many an incense-bearing tree And here were forests ancient as the hills Enfolding sunny spots of greenery.

 

From Xanadu to Camden

Site-specific work, as it's called, has been around for a few years now - taking theatre out of theatres and into unusual and interesting spaces.

But non-actor specific work is a new departure, at least to me, and San Francisco-based Antenna Theater's Chris Hardman seems to be its leading exponent.

Using MP3 technology, digital audio effects and multi-dimensional images, he creates and animates Euphor!um, an entire skewed environment which you enter once the 'opium goddess' kits you out in Walkman and 'virtual reality' goggles.

You are then plunged headlong into a brief and disorientating journey through the alternative, opium-inspired world of Samuel Taylor Coleridge and his extraordinary Kubla Khan poem, 'In Xanadu did Kubla Khan a stately pleasure dome decree'.

There is no linear narrative, or live actors, on this bizarre and occasionally disturbing trip, that is indeed quite trippy.

As you enter the atmospheric Undercroft of Camden's Roundhouse, you arrive first at a bar that reminded me instantly of my favourite Amsterdam 'coffee shop', Global Chillage on Kerkstraat, with its ambient music and the smell of incense in the air.

Mark Shenton
Mark Shenton

But unlike in Amsterdam, there is nothing more stimulating on offer by way of refreshment and stimulation here than Coke (as in Cola, not the other sort) and beer.

What follows is rather more hallucinatory: one American critic has described it as "the hippest legal high on the West Coast", but Euphor!um is something else, a meeting of art installation with theatrical event that is meant to be experienced rather than merely observed.

I couldn't easily say what any of it means, but then Coleridge's poem inspires the same confusion.

Perhaps the intention is that illegal highs are required first to access those meanings, but meanwhile, simply absorb the images and linger with the experience.

Euphor!um runs til 20 October at The Roundhouse, Chalk Farm Road NW1 - 020 7478 0151 for details

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