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On 5 July
2004 the world celebrated the 50th anniversary of rock'n'roll. It
had been 50 years since Elvis Presley, Scotty Moore and Bill Black
had recorded 'That's All Right (Mama)' in the Sun Studio in Memphis.
I have a problem with that - it is a landmark recording to be sure,
but it ignores all the rock'n'roll that had gone before, and in particular
it marginalises Bill Haley and his Comets.
The
UNICEF concert at the Summer Pops was to celebrate this event, but
by booking Bill Wyman's Rhythm Kings, the organisers had shown how
tenuous the anniversary was. Bill Wyman's Rhythm Kings specialise
in pre-1954 rhythm and blues (though not exclusively) and so it
was good to be reminded of these great songs and performers or,
as there were some young people in the audiences, to hear them for
the first time. (Having said that, the lad behind me was playing
a Gameboy all evening.) Many of the songs would be contenders for
the first rock'n'roll record.
Just
as he was with the Rolling Stones, bass player Bill Wyman is impassive
on stage but he has remarkable organising skills and, with guitarist
Terry Taylor, he is able to assemble a superb band. With so many
front line singers (Georgie Fame, Mike Sanchez from the Big Town
Playboys, Albert Lee, Beverley Skeete and special guests Andy Fairweather-Low
and Roger Chapman), there is no room for egos. If you take a lead
vocal now, your chance may not come again for another half-hour.
They don't appear to mind and are good-naturedly encouraging each
other throughout the performance.
The
show paid tribute to many of the performers who played the music
we all loved - there was Mose Allison (Georgie Fame with the mellow
'Days Like This'), Chuck Berry (Bill Wyman sounding surprisingly
good on 'You Never Can Tell'), Johnny Burnette (Albert Lee and Martin
Taylor playing one guitar), Ray Charles ('I Got a Woman' from Georgie
Fame and 'Let The Good Times Roll' from Roger Chapman of Family),
Elvis Presley (Junior Parker's 'Mystery Train' from Andy Fairweather-Low
and Arthur Crudup's 'My Baby Left Me' from Roger Chapman), Louis
Prima ('Jump Jive And Wail' from Albert Lee), Jimmy Reed (a very
loud 'Bright Lights, Big City' from Andy Fairweather-Low), Nina
Simone (a very emotional 'I Put A Spell On You' from Beverley Skeete),
Big Joe Turner (some boogie woogie piano from Mike Sanchez on 'Roll
'Em Pete'), Jackie Wilson ('I'll Be Satisfied' and 'Baby Workout'
from Beverley Skeete) and Gene Vincent (Mike Sanchez with 'Race
With The Devil' featuring some blistering guitar runs from Albert
Lee). Georgie Fame with the guitarist Martin Taylor matched each
other on Ray Charles' 'Georgia On My Mind', which also incorporated
'Marching Through Georgia'.
Bringing
things a little more up to date, Bill and Beverley paid tribute
to George Harrison with 'Taxman' and Andy Fairweather-Low recreated
his No.l hit with Amen Corner, '(If Paradise Was) Half As Nice)'.
Mike Sanchez performed the lively 'Tell Me A Secret' and I went
home wondering who had recorded this song before - I found it was
an original from Bill Wyman and guitarist Terry Taylor. They also
wrote the lively 'Jitterbug Boogie' which gave everyone a chance
to shine. Praise must be given to the drummer Graham Broad, guitarist
Terry Taylor and the horn players Frank Mead and Nick Payn, who
are real showmen. It is a big band but no one gets in the way of
anybody else, and this really is a band to die for.
I loved
the way that Andy Fairweather-Low did the gospel song, 'I Shall
Not Be Moved' and Mike Sanchez showed how Little Richard's style
had been around for years with an ultra-dynamic 'Flatfoot Sam'.
I love hearing old songs and discovering lines that are being used
today: for example, 'Roll 'Em Pete' includes the line, "You're
so beautiful but you're going to die someday" which went straight
into Van Morrison's 'Precious Time'.
In
addition, there was a 20 minute set from the Zombies with Colin
Blunstone and Rod Argent. They did superbly arranged and passionate
versions of 'She's Not There' and 'Time Of The Season' as well as
Colin's solo hit, 'I Don't Believe In Miracles' and Argent's 'Hold
Your Head Up'. Colin Blunstone possessed one of the best and most
distinctive voices of the Sixties and it is great that it is still
in place.
The
concert was compered by Mike McCartney who introduced himself as
"ex-McGear, ex-Scaffold, exactly". He had the audience
singing along with Scaffold's first single, '2Day's Monday'. The
show was recorded for both CD and DVD and so if you missed it, you
can always catch it later. A great night and a great cause too.
Words: Spencer Leigh
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