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Tuesday 1st June 2004
Love Music, Hate Racism
Review: Marc Le Breton
The Music
Badly Drawn Boy

Liverpool Academy

Sunday 30th May
6-11pm

The Music
Badly Drawn Boy
Haven
MCs Skeme & Big P
Bloc Party

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Music
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Love Music Hate Racism

The Music

www.sterlingcollat.com

Bloc Party

Badly Drawn Boy

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A last minute venue change meant Manchester’s loss was Liverpool’s gain for this event. To paraphrase the evening’s MC, Martin Smith: “In ’36 we had Woody Guthrie, in ’79 it was The Clash and in ’93, it was The Manic Street Preachers”.

Bloc Party
Bloc Party

So who do we have in 2004 when political awareness through music is more vital than ever?…

After an appropriately passionate post rock/punk set from Bloc Party and a melodic but tired-sounding Haven, it was up to MCs Skeme and Big P to breathe a little life back to the proceedings. This was conjured with some British hip-hop of the highest order, mixing sub-bass beats and rhymes whilst reminding the crowd of the real reasons for attending tonight’s event.

The musical lineage from original ‘acoustic warriors’ such as Guthrie and Dylan continues with a certain Mr. Damon Gough (a.k.a. Badly Drawn Boy), who has no fear in voicing his concerns about the worrying rise of racism, and begins with the amusingly titled ‘Don’t Ask Me, I’m Only The President’.

Despite a frustrating delay with his highly anticipated third album proper (discounting his soundtrack work) he seems in good spirits tonight. Letting his music provide the notion that life can be a wonderful thing for everyone in the right circumstance, Damon proceeds by playing a number of tunes from his ‘Bewilderbeast’ debut.

Badly Drawn Boy
Badly Drawn Boy

He dedicates ‘The Shining’ to his children and their future (awhh shucks!) before inviting the band onstage for a welcome airing of old and new tracks. One highlight was ‘This is that New Song’, which shows there’s plenty to look forward to and that BDB may just brush away those ‘difficult third album’ blues before they even start!

Which brings us nicely to the current malaise of The Music. Critically lauded upon their debut release, they’ve come a long way from their Leeds roots but haven’t quite reached the stellar heights expected of them. However tonight’s performance, alongside a current sellout tour, may be the turning point in their recognition.

Clearly riding high on their recently acclaimed Homelands appearance, they’re now starting to earn the early ‘21st century Led Zeppelin’ tag
(check out singer Robert Harvey and guitarist Adam Nutter’s uncanny resemblance to the Page and Plant guitar/vocal solos of yesteryear!)

The Music
The Music

The criticisms levelled at them in the past are washed away on a blustery, funk-adelic sea of sound that finally proves that they are able to live up to their lofty moniker. Despite already playing to a sell out Liverpool crowd three days before, there are no signs of fatigue as they pick up the audience and throw ’em about like a particularly evil fairground attendant bloke on the Waltzers.

Reminiscent of pre ‘Urban Hymns’ era Verve but
without the baggy hang-ups that have daunted them in the past, they are now the real deal, playing crowd pleasers such as ‘Getaway’ and ‘Take the Long Road and Walk It’, where people are cheering 10 seconds into the intro as if
it’s the end of the song!

Considering these apolitical times, it’s good to see people (especially among the mainly 18-30 year olds ) talking to each other about the current climate and seemingly realising the power of a vote in ensuring racism doesn’t become any more of an active element within the political sphere than it is now.

 

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