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David Watts

David Watts says his film marks his debut behind the camera.
David Watts' 'Dead After Dark'

My name is David Watts and I am the director of 'Dead after dark'. This film has become popular both inside and outside college.

I am honoured at this fact due to this being my debut piece where I have took into consideration a specific meaning to be conveyed through angles, shots, editing, sound, music, mise en scene and dialogue.

This differs immensely to my previous 'mess about' films about a serial killer whose weapon of choice was a spoon! The film takes its influences from my study of the film noir movement in cinema and amateurs such as my personal favourite David Fincher (Seven, Fight Club).

"The visual style of my film has a clear film noir surface, using chiaroscuro lighting to give a rich contrast between dark and light and having a typical film noir character."

David Watts

The visual style of my film has a clear film noir surface, using chiaroscuro lighting to give a rich contrast between dark and light and having a typical film noir character type to open with, the narrator, or in generic terms, the anti hero.

The story is fairly simple but the original intention behind this piece of film making was to just produce the opening to a film, this is why 'Dead after dark' does not give a closed narrative nor even an open narrative to begin with, to an extent, this film is a "slice of someone's life" as we briefly see a short segment of it.

Each shot in my film has significance to the narrative in conveying a message about the characters. Low angles looking up to 'The driver' to convey his dominance and power and a effective use of eye level angles with the narrator that jump cut to reflect his panic. Thus making the audience instantly relate to him.

The music was carefully picked, each one runs well with the narratives image but also, creates a mood in relation to the narratives text. Radiohead's 'Treefingers' song (an eerie instrumental) creates an almost, science fiction tone to the film which blurs the distinction between generic conventions to open the film with; film noir and science fiction.

I would personally like to thank everyone who has helped me make this film and other people who also helped me after its filming in terms of exhibition etc; Jenny (most importantly of all as if it wasn't for her then I wouldn't be writing this now, she helped me discover who I am and what I want to do with my life so I thank you a tremendous amount.

David Watts


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