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March 2004
Forcing you to listen
Bloc Party
Bloc Party

Ben Bradford has been to see Bloc Party @ Leeds Josephs Well, 21 March 2004.

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Bloc Party

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First on stage tonight are local Leeds band The Tennessee Traincrash who seem to be following in the footsteps of The White Stripes by leaving their bass player standing in the dole queue. By having two guitarists (a boy and a girl wow) and Meg White on a bad hair day looking like a cross between Monster from the Muppets and Ewok from Star Wars on drums.

But they sound like a southerm fried garage rock band with elements of Blondie and Yeah Yeah Yeahs scuzz punk rock thrown in. There's one song with both guitarists on vocals which sounds like a punked up version of The Moldy Peaches, crossed with Interpol if that possible.

The guitarist looks like he's just awoken from a very drunken haze in a ditch with a guitar stuck in his hand. Even though there's only about 20 people in the crowd, although they add nothing new with their garage rock they do play good and rocking set and seem comfortable on stage.

There was a band on inbetween but I can't remember what they are called, and they were a bit rubbish.

Bloc Party
Bloc Party first met and formed in 1998, formerly known as Union, a group of four, angry and young funky art school punk rockers from east London. As it says on their website, Bloc Party are adding something rather special and brilliant to the culture and the world themselves.

They manage to mix and meld 'art school' and '‘hard core riffology'into on funky and danceable whole. They're a band that claims to have 'no lists, no manifestos, no nothing'. But to make music and have their own take on what it means to be in a band. However they aim to make a sound and mark on the music scene of uniquely of their own.

On stage tonight are Bloc Party, who although sound like a possible tribute band to Blazin’ Squad, are far from it. They're a lo-fi punk-funk band with stabbing riffs which are very fast and are very dangerous.

With Kele Okereke's call to arms and marching vocals, which sound a little like a cross between Ian Curtis, Paul Weller, and Madness particularly on the ass-shaking debut single She's Hearing Voices. His vocals also sound like Luke from The Rapture, quite high pitched at times and also fast and furious.

They play a mean scattershot art punk funk sound that takesin everything from drum'n'bass to hardcore, to white noise, to a speeded up version of Franz Ferdinard. Albeit with a Graham Coxon style lo-fi sound which is also very very fast, almost going to extreme noise, it certainley rips open your ear drums.

They don't so much have tunes. It's more like the riffs and chords and drum beat which come out of their instruments which somehow manage to meld together it's a thrill to watch. With everything fighting for space on the speakers and coming out as a raging and ragged wholesome whole, with some nagging vocals.

The only downside is that they don't have any memorable tunes as such, which will happen over time. But they have more ideas within one song than other bands do in one career. With incendiary songs and a cool attitude they are forcing you to listen to them.

Ben Bradford

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