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15 July 2009
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Making the 'Floating Brothel'

By Mark Lewis
A reconstruction of Georgian London from 'Timewatch: The Floating Brothel'
A reconstruction of Georgian London from 'Timewatch: The Floating Brothel' 

The feisty tale of the first all-female convict ship to be sent to Australia required the recreation of scenes from Georgian London to volcanic Tenerife. Timewatch writer-director Mark Lewis explains how it was done.

The story

I picked up Siân Rees' book about five years ago in the Hyde Park Barracks Museum shop, in Sydney. A day later I had read it cover to cover. It read like a novel - a great bawdy romp with a gripping narrative and characters that leapt off the page.

'...it's rare to find a story that ticks all the boxes, a tale that has all the ingredients of a rip-roaring yarn and has something intelligent to say about a nation's history'

I have been making docu-dramas for some years now and it's rare to find a story that ticks all the boxes, a tale that has all the ingredients of a rip-roaring yarn and has something intelligent to say about a nation's history. I knew it would make a wonderful film.

The problem was how to make it relevant to a modern audience. Australians used to shun their convict past, but today many embrace it. That seemed to me to be the key. There is a thirst there not just for cultural identity but also for a more deep-seated understanding of one's own roots and what it can tell us about ourselves.

Published: 2006-02-01

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