| http://www.bbc.co.uk/history/ |
Restoration’s conservation architect, Ptolemy Dean, charts the vernacular history of Britain through the stories of its villages, and attempts to find 'The Perfect Village'.

Why do some villages prosper where others decline? Why do some delight while others disappoint? What are the magic ingredients that make some so cherished while others are ignored? What role is played by the design of the buildings, their arrangement and the materials used? How important is a sense of community? Is it vital for a village to be living and changing – or can it be preserved in aspic yet remain attractive and functional?
Ptolemy’s tour paints a picture of the past, but will also look ahead. What issues do villages face today? Are they coping successfully or are they floundering?
Theme: Wealth and its influence on village development
Dedham lies in the valley of the River Stour in Essex and is famous for its association with John Constable, who was schooled at Dedham Grammar School - now a private house. The village prospered from the wool trade in medieval times and much of its architecture hints at this past wealth. In their time, the wool barons represented ‘new money’ and were looked down on by the aristocracy. The new gentry chose to live in fashionable Dedham because it was away from the humdrum of Colchester. Architect Raymond Frith worked in Dedham as does his partner and successor Quinlan Terry. Dedham is an architect’s heaven and prides itself on being an unspoilt village, without street lighting or modern buildings - a place which exemplifies order, continuity, decency and lasting values.
Alderley Edge has a population of 4,000 and boasts the highest number of millionaires per square mile in the country. It’s also the home of several premier league footballers. The village developed after 1842 when the Birmingham and Manchester Railway Company opened a station there. Incentives were offered to build large houses, which heralded the arrival of some of Manchester’s cotton barons and started the village’s association with affluence and wealth. The wealthy cotton barons built their houses on the slopes leading up to the Edge itself, while the less affluent had homes in the village. Today the high street groans under the weight of the constantly passing luxury cars. The employees of coffee bars, boutiques, designer shops and beauticians commute from Manchester and its surrounding area to Alderley Edge to work. It’s still a commuter village for the wealthy, but it’s also a destination for those who aspire.
Theme: The reality and myth of the village

The villagers have learned to accommodate their visitors. They’ve provided jobs and a good income, but there’s a different life behind the touristy façade. Most of their homes are away from the village centre and are very quiet, and the locals tend to shop early in the morning before the visitors arrive.

Theme: Living off the land with limited resources and a diminishing market, and the challenge of adapting
Rogart is a small village in the Highlands of Scotland near Inverness. Although the population of Rogart Parish is 300-400, the village itself has about 150 inhabitants scattered in dwellings across an area of about two miles – a typical feature of Scottish crofting communities. Rogart’s crofters produce livestock for sale to larger farms further south for fattening and slaughter. Their crofts range in size from 4-5 acres up to 50 acres and only require part-time management, so most of the crofters have a second job. The village has a pub, a shop, a village hall and a ‘request stop’ railway station.
People in remote areas have a tradition of interdependence, pooling their skills and resources to protect themselves against the elements. Although today this reality is cushioned by 20th-century technology, there remains a strong sense of community and ‘place’ exemplified by the number of youngsters who leave to go to university but often return later in life. Architecturally, the dwellings are a mixture of either local stone with slate roofs or newer whitewashed bungalows.

Architecturally, the village still shows its strong mining legacy in the 18th century terraced housing built for the miners. Today, in place of the industrial might of the 18th century, stands new industry - from entrepreneurial individuals to wind farms and industrial parks.
Theme: Village layout.


Designed by Sir William Chambers, the new village was composed of a street of thatched cottages with large lawns at the front and horse chestnut trees in between (these were removed in 1953). Today the cottages retain their original charm and character and the street looks much as Chambers intended.
Theme: The risks of successfully adapting – the tourist attraction and the threat of expansion killing the village identity

On the surface, Polperro looks as if it hasn’t changed for centuries, but in fact it exemplifies a delicate balance between the tourist village of today and the fishing village of yesteryear. It could, without careful management, slide into being a fishing village cum heritage theme park - a victim of its own success and adaptability.

It is also home to Wye Agricultural College, once part of the University of London. Imperial College took over in 2000 and bought 850 acres of the surrounding land. After phasing out the agricultural degrees in favour of science options they now want to build a £1billion research centre. This, they say, will regenerate the area and create thousands of jobs in the picturesque village. The villagers, united against the common enemy, are vehemently opposed to the plans, which will turn Wye into a small town. Locals have launched a campaign to stop the development going ahead.
Theme: Creating the perfect village from scratch
Silver End is the 20th century’s earliest example of a planned village and garden community in Essex. It was the brainchild of Francis Henry Crittall, the man behind the manufacturing giant Crittalls. An industrialist with a social conscience, he conceived of a workforce with access to a better quality of life with all the amenities of a village. The result was Silver End, revolutionary in having its own water supply, drainage, churches and cinema centred around one of the most evocative trademarks of the village – the green.
Poundbury is the latest attempt at the model urban village. Situated on the outskirts of Dorchester, it was conceived by Prince Charles in 1988. Poundbury was designed by Leon Krier with a plan featuring architecture of various materials and styles. All the key elements of the archetypal village have been incorporated into its design, but with an emphasis on 21st century living. Streets are narrow and many double as pedestrian paths. Most parking is in rear alleys. Everything has been done to create a pedestrian ‘experience’ which is surprising and charming with variations in street widths, textures, vistas and open spaces.
Poundbury raises the question of whether something that usually grows organically over hundreds of years can be created in a single generation.

This article can be found on the Internet at:
http://www.bbc.co.uk/history/programmes/restoration/2006/perfect_village_01.shtml
© British Broadcasting Corporation
For more information on copyright please refer to:
http://www.bbc.co.uk/history/about/copyright.shtml
http://www.bbc.co.uk/terms/
BBC History
http://www.bbc.co.uk/history/