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13 July 2009
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Claude Friese-Greene's Colour Process

By BBC History
Examining the film
Examining the film 

Following in his father's footsteps Claude Friese-Greene was determined to bring colour to 20th century cinematography. But how did he do it?

A new world of colour

The unique colour process used in Claude Friese-Greene's film 'Open Road' was based on the film processing experiments of his father William.

'His development was not alone in the field however, and other systems were proving more popular.'

Showcased in 1911 and called 'Biocolour', those pre-World War I tests by William Friese-Greene proved how the colourisation of a film could be shown on an existing cinema projector without the need for alteration or additional mechanics.

His development was not alone in the field however, and other systems were proving more popular. Kinemacolor was widely used between 1909 and 1915, even though cinemas had to hire expensive special equipment to show the films.

At the turn of the 20th century this battle over the colour process led to a rash of early patents and innovations, and in particular led to conflict between the Friese-Greene 'Biocolour' and Kinemacolor.

Published: 2007-04-18



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