Interpreting and staging a scene

1

What is meant by interpretation?

2

Which of these statements is not true?

3

What are you thinking about when you consider sight lines?

4

What does blocking mean?

5

Which one is the strongest position on stage?

6

Which theatre practitioner's work didn't rely upon any set, lights or costume but focused only on the actor to make theatre?

7

For which of these theatre practitioners' work would you make lights, set and costume choices that were as realistic and authentic as possible?

8

What is a concept?

9

What is identified when you break a text down into naturally occurring small sections?

10

Why can it be dramatically interesting to have a pause after a fast-paced section of work?