• Skip to main content
  • Text Only version of this page
  • Access keys help

BBC Home

Explore the BBC


12th July 2009
Accessibility help
Text only
film network - short films from new British filmmakerssearch film network

BBC Homepage
Film
film network home
my profile
submit your short
magazine
film making guide
film catalogue
people catalogue
mobile
sitehelp
related links
film network feeds

Contact Us


Like this page?
Send it to a friend!

 
New visitors:  Create your membership
Returning members:  Sign in
DramaComedyDocumentaryAnimationExperimentalMusic
Journey Man
Dictynna Hood
average rating from 16 members 
       
drama | 2002 | Wales | 14 min
Published 02 Nov 05
A stowaway refugee from war torn Sierra Leone arrives in Wales at Christmas time.
email iconsend to a friend
  PLAY NOW
Requires windows media player or
real player.

some violent and disturbing scenes
synopsis
Mohamed Ali is a young asylum seeker from Sierra Leone, who arrives as a stowaway in a run-down Welsh town. It's Christmas. He is starving, lost. Finally, he seeks shelter in a pub. He is thrown out by Griff, the landlord, but unexpectedly touches the heart of Connie, Griff's wife.
short fact
The character is based upon a young West African man that Dictynna met, who was a particularly impressive character. He was an ill and traumatised stowaway when he arrived in the UK in the middle of winter, having lost many of his family, and yet refused to remain a victim of his circumstances.

It was an extremely ambitious film to set out to make as a short but we felt that the film could give us a sense of a story larger and deeper than the sum of its parts, whilst also championing the human spirit.

Journey Man screened for 8 months before Michael Winterbottom's In This World and Stephen Frears' Dirty Pretty Things in UGC cinemas around the UK and independent cinemas in the UK screening those films.

It was also part of first tour of Shooting People's Mobile Cinema. UK Refugee Council have designed a schools educational workshop pack, based on this film.
crew
  • director Dictynna Hood
  • writer Dictynna Hood
  • producer Elizabeth Morgan Hemlock
  • editor Mel Williams
  • director of photography Chris Maris
  • sound Mike Shoring
  • music Seckou Keita
  • executive producer Sarah Carr
  • production designer Venitta Gribble
  • costume designer Jakki Winfield
  • make-up designer John Munro
  • line producer and 1st AD Jonathan Hunter
  • 2nd AD Dafydd Parry
  • 3rd AD Rachel Haston
  • casting director Mandy Steele
  • gaffer Toby Farrar
  • focus puller Will Pugh
  • grip Clive Baldwin
  • clapper loader Sian Elin Palfrey
  • Sparks Gwilym Hollom-Owen & Steve Davies
  • boom operator Tam Shoring
  • sound trainee Richard Brookes
  • construction manager Paul Barry
  • stand-by props Terry Horle
  • production design Sian Megan Hughes & Mari Elain Gwent
  • fight co-ordinator Bernard Latham
  • snow Snowbusiness
  • sound design John Hardy & Stewart Lucas
  • cast
    • Mohamed Ali Usifu Jalloh
    • Constance Ruth Maddoc
    • Griff Ifan Huw Dafydd
    • Mohamed's Mother Eva Payne
    • Fighting Lad #1 Ben Davies
    • Fighting Lad #2 Rob Broome
  • docker Darren Edwards
  • docker Mike King
  • docker Gareth Thomas
  • format
    35mm/Super 35
    budget
    £139,000
    © 2002 Dictynna Hood

    comments

    subscribe/unsubscribe to receive email alerts for new comments on this film
    more about email alerts 
    add your comments
    comment by Elizabeth Morgan  Hemlock
    Click this button if you think
				this comment breaks the house rules
    posted 3 Weeks Ago

    Just to clarify, the cash budget was £89k but with deferred costs and fees £139k. The cost of delivering a 35mm print and then securing finance to have a further four prints to promote it, is unbelievable. The film was exhibited in UK cinemas on 5 prints over an eight month period, showing in front of Michael Winterbottom's 'In This World' and Stephen Frears 'Dirty Prety Things' which we distributed ourselves.

    comment by Nick  Barrett
    Click this button if you think
				this comment breaks the house rules
    posted Jan 3, 2008

    I enjoyed this short film, its story of an asylum seeker is a potent theme and very relevant to life in the u.k today. I would strongly disagree with Ronald Wright's commet about not being able to 'see the money on screen' as the film is beautifully shot, the lighting, score and actors are all top notch, and if my Wright knew anything of the expense of 35mm film and cameras he would understand that the money is most definitley up there. These film makers were lucky and talented enough to generate a decent budget for the film, for this they should be awarded not criticised, I don't see this as a relevant argument, they got the money and they shot their short to the best of their ability with the money they had, whether they could have made a hundred dv cam stories with this budget is beside the point, am sure a hundred full length low budget feature films could be made with one of Hollywood's budgets.... As to the confusion this film generated, maybe some of the viewers are used to spoon fed narratives rather than an interesting fragmented, elliptical story (have they never seen and Nicolas Roeg films?!). This film covers an immense amount of ground in 13 minutes in terms of theme, emotion and human dynamics. Four stars!

    comment by Ronald  Wright
    Click this button if you think
				this comment breaks the house rules
    posted Jan 1, 2006

    I would like someone to explain to me how this film cost £140,000 - can't see a fraction of it on-screen and it certainly wasn't spent on a script. Did it get such an obscene amount of money because of its "worthy" cause ? Hope not, because it's not good enough. Nicely shot and acted, but the weakest film I've seen so far on Film Network, and that's pretty outrageous, considering 100 short films could have been made for the cost of this one.

    comment by Simon  Wates
    Click this button if you think
				this comment breaks the house rules
    posted Dec 2, 2005

    Beautiful. The ending soul stirring - warm heart/cold snow/fresh heat.

    comment by Myles Umney
    Click this button if you think
				this comment breaks the house rules
    posted Nov 27, 2005

    You had a lot to get across but you did it very well I thought. The film felt very honest, and also really quite touching.

    I'm in the middle of making a short from a story thats far too long and seeing this - finding out it's not impossible - was a huge confidence boost. Thank You!

    BTW, did your synopsis include the bit about him being muslim because you were worried people might not understand why he threw away the sausage? If so you should have more faith!

    view all comments 
    add your comments  
    Click ! on a comment that breaks the house rules
    send someone a message
    You can message anyone whose name appears as a link by clicking through to their profile page.
    alert editors
    If you were involved with this film and notice any errors on this page, please email the editors.
    rate this film
    5     
    4     
    3     
    2     
    1     

    see comments on this film 
    add your comments  
    stills gallery 
    view
    gallery
    other films by this director
    The Other Man
    drama
    useful links
    • Wild Films
    • Listing on www.britfilms.com
    • www.acw-ccc.org.uk
    • www.filmagencywales.com
    • www.lff.org.uk
    • www.refugeecouncil.org.uk
    funded by
    Welsh Lottery Fund and Film Agency for Wales, with private sponsorship

    selected by
    London Film Festival

    produced by
    Wild Films
    more shorts with similar themes

    This film is included in the film catalogue under the following themes:

    • Behind Closed Doors
    • Crossing Borders
    • Outsiders
    London Film Festival Submissions Index

    Some of the content on Film Network is generated by members of the public. The views expressed are theirs and unless specifically stated are not those of the BBC. The BBC is not responsible for the content of any external sites referenced. If you consider this content to be in breach of the house rules please alert our moderators.

    About Film Network
    Film Network is a showcase and community for up-and-coming UK filmmakers
    Find out more  



    About the BBC | Help | Terms of Use | Privacy & Cookies Policy