
The Cannes Film Festival's 60th year was notable - or is that typical? - for a lack of British names in competition, but there was no shortage of Brits at the world's premier movie event. BBC Film Network went to Cannes to follow some of the UK talent on show, and also to find out what really goes on along the Croisette. Watch the eight videos below to get a candid look at Cannes...
When it comes to rules, the only thing rivalling Straight 8 for simplicity is Fight Club. There are three basic rules in the popular competition for young filmmakers: shoot everything on one single cartridge of Super 8; edit everything in the camera; and record a unique soundtrack separately. Basically, what you shoot is what you get.
Cannes is synonymous with heavyweight arthouse movies and headline-grabbing Hollywood stars - this year's competition saw the likes of David Fincher and Quentin Tarantino vying with Emir Kusturica and Kim Ki-Duk for the Palme d'Or (eventually won by Romanian director Cristian Mungiu's 4 Months, 3 Weeks & 2 Days). No Brits there, of course, but plenty in the Marché du Film, the world's most important movie market place. Here low budget British movies rubbed shoulders with, well, no budget British movies in the quest for worldwide distribution deals.
Clermont-Ferrand may be the most famous short film festival in France, but Cannes is increasingly becoming an important destination for short filmmakers* (*people who make short movies, that is, not the vertically-challenged). Away from the competition shorts there's the Short Film Corner, which is a lively part of the market place which houses a vast videotheque and daily lectures for aspiring filmmakers. But the Palais des Festival isn't the only place to see shorts in Cannes...
Made for the type of budget that wouldn't pay the annual moorage fees for a yacht in Cannes marina, Under The Mud is a triumphant community film written by a group of Liverpool teenagers. Called "the best film you'll never see" by The Guardian, it's as if Bill Forsyth had directed a feature-length episode of Shameless.
You could count the British directors in competition at Cannes in 2007 on the fingers of one hand. Actually, you could count them on one finger. Joe Tucker recently graduated from the National Film and Television School, and his 11-minute stop-motion animation film For The Love Of God was selected to appear in the Cinéfondation strand (for student filmmakers from around the world). ![]()
Working Title Grands Fromages Tim Bevan and Eric Fellner have enjoyed a phenomenal 2007. Hot Fuzz and Mr Bean's Holiday both grossed over £20million in the UK alone, and the company (the No.1 production house in Britain) was in Cannes to unveil an impressive new slate for 2007/8 - including new movies from the Coen Brothers (the spy thriller Burn After Reading, with George Clooney and Brad Pitt); Julia Roberts (an untitled project about wildlife conservationist Joan Root); Kevin Macdonald (a large-screen adaptation of State Of Play, again starring Brad Pitt); Ron Howard's Frost/Nixon; Beeban Kidron's Oz Trials pic Hippie Hippie Shake; and Paul Greengrass' Iraq drama Imperial Life In The Emerald City.
Tom Shankland is, by his own admission, a Cannes virgin. The National Film School graduate first won acclaim for his award-winning shorts - Bait (1999) and Going Down (2000) - and now he's brought his debut feature, Waz (pronounced 'was'), to the Cannes Market. ![]()
Having established himself as one of the rock world's leading photographers, Dutch-born Anton Corbijn makes his feature debut with Control. The film - which opened the Quinzaine des Réaliteurs (Directors' Fortnight) at Cannes - is about a subject with whom Corbijn himself is closely linked: Joy Division and, in particular, the life and death of lead singer Ian Curtis. Newcomer Sam Riley plays the tortured frontman, while Samantha Morton plays his wife Deborah Curtis.
Adrian Hennigan | Updated 31 May 07 |
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